A Quote by Peter Hedges

I've wanted to direct for a long time, but it had to be a story I wanted to tell. The writer's job is to find the story that he should tell. — © Peter Hedges
I've wanted to direct for a long time, but it had to be a story I wanted to tell. The writer's job is to find the story that he should tell.
I wanted to tell, in Hebrew, about my father who sat in jail for long years, with no trial, for his political ideas. I wanted to tell the Israelis a story, the Palestinian story.
I didn't want to tell the story of what makes two people come together, although that's a theme of great power and universality. I wanted to find out what it takes for two people to stay together for fifty years -- or more. I wanted to tell not the story of courtship, but the story of marriage.
I wouldn't do a project if it weren't a story I wanted to tell. That's rewarding in itself, as a writer, if you're working on a story that you enjoy telling.
I normally don't need any help to put pressure on myself but there was additional pressure because it was a film she always wanted to shoot and I wanted to tell this story as best as possible. When I told my wife that I'd like to direct it, I had already given it a lot of thought and honestly I felt that I was the best person for the job, plus I was cheap.
I had just wanted to be part of a story; I wanted to be a person who had a story to tell.
'An Education' was a complicated piece of work because it came from a tiny essay, so it took me a while to find the story I wanted to tell and the characters I wanted to tell it about. That really only emerged after four or five drafts.
I didn't make a film because I wanted a starring role. I made a film because I wanted to tell a story and I wanted to prove that I could direct.
I think you tell the story that has to be told. You tell the story that's the truth. You tell the story that readers will be interested in and should know about.
Eventually, it came to this place like, "I'd like to direct, but I need to find the story to tell." Man of Tai Chi became the story to tell.
Eventually, it came to this place like, 'I'd like to direct, but I need to find the story to tell.' 'Man of Tai Chi' became the story to tell.
The truth is that 'Twilight' is not a story about Bella and Jacob. It's a story about Bella and Edward. That was the story this writer wanted to tell.
I wrote 'Twenties' back in 2009. I always wanted to tell a story where a queer black woman was the protagonist, and I'm so grateful to TBS for giving me a platform to tell this story.
Tell me a story. In this century, and moment, of mania, Tell me a story. Make it a story of great distances, and starlight. The name of the story will be Time, But you must not pronounce its name. Tell me a story of deep delight.
I just wanted to tell the story of a bunch of musicians who had never had their story told before. There's no preaching or theorizing.
I love 'Memory Keeper's Daughter,' but in some ways I think 'The Lake of Dreams' is a stronger book. I was able to tell the story I wanted to tell. That's all you can ever do as a writer. From there on you have no control over it.
I wanted to tell the story of these women and the war in the Congo and I couldn't find anything about them in the newspapers or in the library, so I felt I had to get on a plane and go to Africa and find the story myself. I felt there was a complete absence in the media of their narrative. It's very different now, but when I went in 2004 that was definitely the case.
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