A Quote by Peter Hedges
I'm looking, often, towards younger people, listening to how they're working, at least they're trying, and some of the old greats, too. Just to try to remain relevant and off-balance, but hungry and eager.
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To be honest, the first thing that hits you when you step off the plane in L.A. is just how eager people are to help you out here - or, at least, that's what I've found.
Often young black people are looking towards the alternative economies. They are looking towards the drug economy.... the economies that are going to that apparently will produce some kind of material gain for them.
I don't really know what makes someone want to be a cartoonist, but part of it is trying to get in trouble. You're looking where the line is and seeing how much you can step over it, and I mean, I do that in my personal life, too. I try to anger and piss people off a little bit to try to see what I can get away with. I got in trouble with more than one cartoon.
I've made mistakes. Like, bringing people to your level who don't deserve to be there. They're trying to bite off your so-called fame, make a name off of you. I think I did a lot of that - allowed people to be relevant in my life who really aren't relevant to me at all.
The secret is to listen, open your mind, listen to the pros. With the help of the UFC's Performance Institute, too. Listening to my coaches and listening to my body, too. Having discipline. It's not just listening, too, because sometimes people have the knowledge but don't know how to use it. You need to be able to put that to practice.
The biggest possible thing that we're trying to do is change the conversation about what it means to be a working artist today, and hopefully, as the generation of performers that is training and listening to our show at the same time comes up, and becomes a working generation of performers listening to our show-hopefully that's going to change some of the ways they're looking at the hierarchy of theatre and start to blur those lines a bit more.
Looking back six years ago when I had just come from 'The Office' to 'The Mindy Project' and what I was trying to say back then. I feel like we don't revisit our younger idealistic selves, you just get in this pattern of churning these episodes out. Now I was like, "Let's try and get in my mind back then," because my life personally has changed so much, too. I just thought, "What was I trying to say? And now can I make it look like it was all part of one larger story."
At the first Mae Young Classic, I was just trying to make everyone happy, I was just trying to do my job and I was listening to too many people at once.
How small a portion of our life it is that we really enjoy! In youth we are looking forward to things that are to come; in old age we are looking backward to things that are gone past; in manhood, although we appear indeed to be more occupied in things that are present, yet even that is too often absorbed in vague determinations to be vastly happy on some future day when we have time.
I'm hungry, Garion, and I don't think well when I'm hungry." "That might explain a lot," Beldin noted blandly. "We should have fed you more often when you were younger."
I don't get too much enjoyment out of sitting around the campfire and looking at old photos. That's just not me. I don't get the thrill of doing that. So, I don't sit around listening to my old records.
When I was younger, I thought I had to shut myself off, work really hard to cry. I learned after a while that that's just not... You know, often in life, you cry when you're caught off-guard. That's where I need to be when I'm acting, too.
I guess working in the legitimate industry, the best thing you can take away from it is acceptance of the incompetence that often surrounds you. No, that sounds horrible. The most important thing, I guess, is the fact that working in the legitimate industry, what I see all too often is people trying to interpret the wishes of the audience, which with today's technology, is all too easy to measure empirically.
Royal relationships across the generations have often been strained and distant, rather than close and affectionate. Most eldest sons, interminably waiting to become king, have not been on the best of terms with the sovereign to whose death they look forward with a debilitating combination of guilt-ridden anxiety and eager anticipation. And younger sons (and daughters, too) have often found their lives empty of purpose: cut off by their royal statius, but unable to find anything rewarding with which to fill the time.
The next time you look into the mirror, try to let go of the storyline that says you're too fat or too sallow, too ashy or too old, your eyes are too small or your nose too big; just look into the mirror and see your face. When the criticism drops away, what you will see then is just you, without judgment, and that is the first step towards transforming your experience of the world.
We can preach the Gospel all day long, but that won't win souls. That won't win the hearts of the people. We can talk, try to theorize, theologize, reason, argue, debate, and spend time trying to prove that Jesus lived, but that won't win a heart. How often do we see the religious mindset that believes that the more Scripture quoting, the more yelling, the more hell fire and brimstone preaching, the greater the chance to win someone over for the Kingdom? Likewise, how often do we see people sitting or standing there listening in stone-cold silence or indifference?
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