A Quote by Peter Hedges

The most autobiographical thing I've ever written is my second novel, called 'An Ocean in Iowa.' That is pretty close to my childhood. — © Peter Hedges
The most autobiographical thing I've ever written is my second novel, called 'An Ocean in Iowa.' That is pretty close to my childhood.
I went to graduate school in Iowa City, at the Iowa Writers' Workshop, where the most passionate thing I did was attend University of Iowa basketball games.
In the early Seventies, I started writing a little autobiographical novel about my childhood - I made it into a mystery story.
'Carol' takes place in the really early '50s, before Eisenhower has taken office. It's based on a Patricia Highsmith novel, her second and most autobiographical book and the only one outside of the crime milieu.
I've told youngsters not to write their autobiographical novel at the age of twenty-one; to save it for the time when they're fifty-one or sixty-one. They should write other novels first, to learn their craft; they shouldn't cut their teeth on the valuable material of childhood because they'll never have better material, ever, to work with.
I've never written an autobiographical novel in my life. I've never touched upon my life. I've never written a single scene that I can say took place.
The first book ever written in an alphabet was the Hebrew Bible or the Old Testament. And the most important passage was the Ten Commandments. The first commandment is the most revolutionary sentence ever written. It states: "I am the Lord thy God there is no other." The second prohibits us from making images. Thus, there is a profound rejection of any goddess influence and a ban of representative art.
When I was writing my first novel, 'Elizabeth is Missing,' I was writing the only novel I had ever written and writing about the only protagonist I'd ever written about. Because of this, I didn't think of her as a construct. Maud was real.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
I like Iowa. I know Iowa. I've spent some time in Iowa. Good people in Iowa. It's a great state.
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one.
It is all fiction, only autobiographical in the sense it is about a small town. None of the incidents in the book ever happened to me as a child. I didn't have an eventful childhood.
It's a little-appreciated fact that most of the animals in our ocean make light. I've spent most of my career studying this phenomenon called bioluminescence. I study it because I think understanding it is critical to understanding life in the ocean where most bioluminescence occurs.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
I had absolutely no trauma in my childhood. If anyone ever assumed that my books were autobiographical, they'd be sorely disappointed, because none of these things happened to me.
'Bless Me, Ultima' is quite autobiographical in the sense that I was writing a story about my childhood, my hometown where I grew up, Santa Rosa, New Mexico, on Old Highway 66 and the Pecos River. So a great deal of that environment, landscape, people, got thrown in the novel.
I don't see myself as a very important person. But I was the second woman to write a novel in Iran, and I have written most of the novels about Iranian women. In this way, maybe I have a good place in Iranian literature.
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