A Quote by Peter Hedges

I wanted to direct long before I'd even written a screenplay. — © Peter Hedges
I wanted to direct long before I'd even written a screenplay.
When I write a screenplay - and I think this is true for a lot of people - you direct the movie. Thats what writing a screenplay is.
When I write a screenplay - and I think this is true for a lot of people - you direct the movie. That's what writing a screenplay is.
In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
I had a bad experience on Ned Kelly, which I'd written the screenplay for. I thought: "Well Jesus, if these are the type of people directing movies I might as well direct one myself!"
A screenplay adaptation of my 'Punktown' novel 'Health Agent' has been making the rounds. The screenplay was written by my friend, singer/songwriter Walter Egan of 'Magnet & Steel' fame!
I was born in the era of the novel. I've written many, as well as collections of poetry, and essays for mouthing off. I've written to inches, word-counts, page-counts, even the sonnet and the screenplay (which I call a plot poem). I write narrative. That's it. I just want to tell it.
Even Dopehri,' if somebody has a bit of imagination, the way it's written, they will be able to see that it's a screenplay with dialogues.
I stopped doing that [photojournalism] and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money. Even for a cheap movie, you need film stock and equipment and actors.
'Sunspring,' the first known screenplay written by an AI, was produced recently. It is awesome. Awesomely awful. But it's worth watching all ten minutes of it to get a taste of the gap between a great screenplay and something an AI can currently produce.
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
Writing is my number one passion. I've written two novels. I've written a screenplay. I also write short stories and poetry.
When I work, I'm the actor. I'm going to do my job. I'm not going to direct the movie. If I wanted to direct it, I would direct it. I wanted J.J. Abrams to direct Mission: Impossible. I work with people that I respect. I expect them to do their jobs, and I will do mine. And I am there as a producer to help in any way, but no one makes a movie by themselves. It's a collaboration.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
Don't get me wrong: politicians have been lying for a long time, long before Donald Trump was born, but the degree of just nonstop rage, grievance, prevarication, I haven't seen, probably because we haven't had a direct line from a politician's id to the public before.
You cannot live in Los Angeles for any period of time without eventually trying to write a screenplay. It's like a flu bug that you catch ... Even the plumber has a screenplay in his truck.
I don't feel the need to direct. I tried to get other people to direct Dances, but they wouldn't do it. They all thought it was too long. One director wanted to cut the Civil War sequence. Another thought the white woman was very cliched.
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