A Quote by Peter Hedges

Something happened to me when I wrote female characters in my early plays; it was a real liberation. — © Peter Hedges
Something happened to me when I wrote female characters in my early plays; it was a real liberation.
If female liberation is to happen, if the reservoir of real female love is to be tapped, this sterile self-deception must be counteracted. The only literary form which could outsell romantic trash on the female market is hard-core pornography.
This is really funny, but we did a study of the occupations of female characters on TV, and there are so many female forensic scientists on TV because of all the CSI shows and Bones and whatever. I don't have to lobby anybody to add more female forensic scientists as role models. There's plenty.In real life, the people going into that field now are something like two-thirds women.
I don't think I set out to have a career in female groups, but it's just kind of happened, and by nature of having worked with my sister - growing up with a sister who also plays, and being in communication with other female musicians.
I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.
To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters.
I'm attracted to films that have strong female characters because there are strong female characters in my life. That's my own reality, so it's a doorway into a world for me.
People often ask me if I feel discriminated against as a black female director. I don't. I'm actually offered a ton of stuff. But I only want to direct what I write. And I prefer to focus on black female characters. What's most important to me is to put characters up onscreen who are not perfect, but who are human and flawed.
The funniest things just come from honesty. We have a tendency to see female characters as representative of something larger than what they are, when male characters are just characters.
I am not one to go for traditional female roles, because I don't think traditionally female characters are very interesting, and I don't think they represent real life.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
When we create female characters, I think often there is a tendency to kind of make female characters emotionally bulletproof.
I get the feeling that characters are written female when they have to be, and all the other characters are male, and it doesn't occur to somebody that the lawyer, the best friend, the landlord, whoever, can be female.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
Anna Katherine Green wrote about a female inquiry agent, and there were a scattering of female investigators in the 1970s, authored by men, who just didn't ring true. So I thought, 'Well, there's an opening here for something.'
We're showing kids a world that is very scantily populated with women and female characters. They should see female characters taking up half the planet, which we do.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
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