A Quote by Peter Hedges
Ultimately what I try to do is work on stories I love with people I admire, and sometimes they get made and sometimes they don't.
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People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.
Sometimes it's hard to say no. Ultimately, if you stick to your guns, you have the career that you want. Don't get me wrong. I love a good payday and I'll do films for fun. But ultimately my main goal is to do good work. If it doesn't pay well, so be it.
Sometimes I get recognised and sometimes I don't. The bus drivers will sometimes stop to try and get a selfie at peak times with traffic all around you!
I show up and try, but I may have to ask myself if I need to wait and let myself regenerate and take a break. I know that this thing that makes the stories has to be treated gently. So sometimes I'll just stop and let the well fill up. With my work, sometimes I hate doing it, but I love having done it. The key is to keep doing it.
I've always just adored music. It's my first love, really. I admire and respect people in the music business. You really have to work hard and diligently. Sometimes actors can be lazy and get away with it, but you can't do that if you're a musician.
I just try to show up and be relaxed and present and honest. And that's my only trick. And sometimes it works, and sometimes it doesn't. Honestly, sometimes it really doesn't work.
Sometimes I'll work in America, sometimes I'll work in England. What's important is fulfilment. I just want to tell stories.
I think artists sometimes go back to something when we never should, for many different reasons. You hear a lot of stories that make you feel good about the work and the project; sometimes you try to relive that, like, 'I want to make a part two.'
Sometimes people change their minds, sometimes they meet someone else, sometimes they get sober, and sometimes he was just a jerk who you're lucky to be rid of.
Sometimes you don't go straight from high school or college and get to the NBA from there. Sometimes you have to go when you're a little bit older and try that other route like Jeremy Lin. And he made it.
You're working with other people and sometimes it doesn't work out the way you want, and sometimes you didn't realise what a mistake you've made until you see it projected.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
I think Japanese people like teamwork. Sometimes they don't try to be No. 1 or different to other people. That can be good but sometimes it means you don't get a dream or a strong goal.
He would find a way to make it work, because he finally understood that sometimes you have to raise your expectations. And sometimes you need to make a claim on the world and the people you love to get what you most desire
The desire for story is very, very deep in human beings. We are the only creature in the world that does this; we are the only creature that tells stories, and sometimes those are true stories and sometimes those are made up stories. Then there are the larger stories, the grand narratives that we live in, which are things like nation and family and clan and so on. Those stories are considered to be treated reverentially. They need to be part of the way in which we conduct the discourse of our lives and to prevent people from doing something very damaging to human nature.
Some of the stories I admire seem to zero in on one particular time and place. There isn't a rule about this. But there's a tidy sense about many stories I read. In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.
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