A Quote by Peter Hedges

I grew up in a very loving but very broken family, and I suppose that's why I'm drawn to telling stories about well-intentioned people who are doing their best - but are not always successful - in figuring out how to maneuver through this complicated, bumpy and broken world.
You have a plantation where you have 10 white people and you have about 50 or 60 black people. The automatic thought was, 'Why didn't they raise up? Why didn't they overpower? They had the numbers.' But really these people, their hope was broken. Their sense of love was broken. Their appreciation for who they were was broken.
I very much want to be in the business of creating content, of doing stories all over the world rather than figuring out what the business model is for 'Newsweek' on the iPad, although that's very important work as well.
Broken bottles, broken plates, broken switches, broken gates. Broken dishes, broken parts, streets are filled with broken hearts.
Everybody knows something's broken in the world. But illogically, foolishly, we are looking for fixes from broken people with broken ideas in broken places.
I grew up in a broken home. My dad was out of the home when I was five years old. I never knew him very well.
This world is full of broken things: broken hearts, broken promises, broken people.
I was never one to patiently pick up broken fragments and glue them together again and tell myself that the mended whole was as good as new. What is broken is broken - and I'd rather remember it as it was at its best than mend it and see the broken places as long as I lived.
We, people, are so very, very complicated that no matter how well drawn a fictional character is, they can't get anywhere near as complex as a real person.
I've always enjoyed family movies anyway. And I grew up loving actors who could hop around and play in something very family friendly, big, playful - and then go and do drama and comedy as well.
I hate to say it but I think it has become very obvious that our system for devising trade agreements, so very important to this country's functioning around the world, has not only broken, but it has broken completely.
The climate is much different for men. That stigma is only going to be broken when people come out and see that there is a positive response. That doesn't mean there will be no negative response, but if people can have the courage to be one of the first, which is very hard, those barriers can be broken down very quickly.
The real challenge of acting for me, I suppose, is just getting to know a character very, very well and just applying what I know about them to every single scene. That's what it can be broken down to.
I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.
I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.
My music always been based off telling stories and now I really got a lot of stories to tell about my life, what my family went through, what my people went through.
I have always been very family-oriented. I came from a dysfunctional, broken family growing up, and it's probably instilled in me the need and the want to have a strong family and a great foundation. So I think that is something that I naturally gravitate toward.
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