A Quote by Peter Hedges
When I was a young lad just out of college at the North Carolina School of the Arts, I directed several plays that I wrote. It was essential theater, meaning we had no money, so our set may be six stools and two chairs and eight cream pies.
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The director, Moisés Kaufman, just received the national medal of the arts from President [Barack] Obama . He wrote and directed The Laramie Project and he has directed several Pulitzer prize-winning plays. He's a pretty profound director in the theater.
I was born in Norfolk, Virginia. I began school there, the first year of public school. When I was 7, the family shifted back to North Carolina. I grew up in North Carolina; had my schooling through the college level in North Carolina.
I dropped out of high school three days into my senior year because I hated it because New York City public school is a mess. I certainly wasn't one for sitting in a classroom. Then I went off to college to North Carolina School of the Arts, then quit that after two years.
I went to university in the north of England at University of Birmingham to do an English literature degree, and I knew I could do extracurricular stuff with theater and drama. I started a theater company, called Article 19, and I did it with a bunch of friends. I wrote and directed plays. I had a radio show.
I went to college at North Carolina School of the Arts and took a lot of singing classes, and it really is so connected to emotions.
Dealers always like to sell chairs in sets of four, six, or eight. And they charge a premium for supplying the whole set. Individual chairs, though, go for much lower prices, and if you carry around a reference photo of the chairs you want, you may be able to build up a cut-price collection, chair by chair.
Prior to going to college, I had a pretty strong accent, and that was one of the things I had to work on a lot. I went to North Carolina School of the Arts; my speech teacher... that was one of the things we really had to work on over the years, and thankfully I think it finally worked.
I did a severe amount of plays in high school. I was in every single show that my drama club produced. Then in the summer I would do plays, and I was also playing sports. I was probably a hellish kid, come to think of it, for my parents' schedule. But then I went to college in North Carolina.
I was accepted to North Carolina School of the Arts with stitches in my mouth.
I left home at 15 to go to the North Carolina School of the Arts.
I do regret that when I went to college, I didn't have a liberal arts education. I got a BFA in musical theater, so it was a very directed toward what I was doing. I wish that I had expanded my horizons a little bit.
I decided to have a regular childhood and not pursue [acting] until I left school, although I wrote plays, directed plays, and got involved in theatre at school. When I left school I decided that's that I was going to pursue and gave it a crack.
Both my parents came from North Carolina, in Warren County. My mother had a feeling that there was greater culture in North Carolina than obtained in Norfolk, Virginia, plus the fact she just didn't like the lowland-lying climate there.
When I was in college at UCLA, I took a playwriting course. I was all set to be a writer. But I had to take this acting class as a theater arts major. I had to do this scene in a one-act comedy. I just said this line, and then... this laugh happened. I thought, 'Whoa. This is a really good feeling. What have I been missing?'
I actually did Shakespeare when I was at North Carolina School of the Arts. I studied with Gerald Freedman and Mary Irwin - it was fun; I enjoyed it.
I had been doing all my school plays, elementary school, middle school, and high school, and then summer. I'd wanted to act for a long time, and I thought I was going to go to college and do theater, go that route. But 'Superbad' kind of fell on my lap. I was very, very lucky for that.
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