A Quote by Peter Hedges

Well, because my films are really about how people interact with each other, and the complexity, and the nuance, and the surprise of those moments I try to create a safe enough space that allows the actors to operate from their own instincts. My direction is more suggestions, prompts or questions.
The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.
As you show these principles over and over , it becomes engrained into how we think. And, when your kids see that, they begin doing it to their siblings. And so we've seen that as well. Many of these aspects I already knew as a parent but, as I study them more, there are more avenues that I can apply in my own parenting and I'm seeing how my kids are watching how I (interact) with my wife and (with) each of them and I watch how they (interact) with each other.
Broadly, the meaning of life comes from how we interact with each other. The Internet can reconfigure space so that the right people are always next to each other.
I don't try to sanction other people's joy in monsters. I mean, I think the fact is, humor, fantasy - you know, like fear, desire or laughter - create genres of their own: comedy, melodrama, or erotic films or horror films... The boundaries cannot be defined. It's to each his own.
I am so secure in who I am. I really am! And I'm not conceited. I just think, 'Wow, okay, that's the life you want to live.' It wasn't about who he chose. I mean, I had moments, 'Am I not sexy enough? Am I not pretty enough? Am I not smart enough?' But in so many of those questions, I immediately stopped and said, 'No, don't start doing that.' Because you can get stuck in that cycle and you can carry on to other things.
I learned early on to abandon all those preconceived notions you have about other actors and it's served me really well. I usually just try to empty my mind of that. I love meeting actors and I love working with actors.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
From its very inception, Lenny Letter set out to create a supportive, positive, inclusive space on the Internet that does not shy away from complexity and nuance.
In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
Because of the men in charge of this system, they've created this caste system for women that gives some of the women in higher places a false sense of authority. You have women who are able to just look at other women and from the color of the clothes they are wearing and they can know how they're supposed to interact with each other. It's a really horrible thing but genius in a way to pit them against each other because once you are, there is no community anymore. There is just people trying to keep each other down.
I like to look at scenarios and see how people interact with each other. That's why I'm an actor because I try to recreate that. Since our daughter joined us the spectrum has widened.
I put a lot of weight in what I do, and you and I can talk to each other in a certain way because that's how people interact, but I don't really know how to talk to the entire world.
I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.
Through these years, I have attempted to create magical moments between my characters because, be it television or films, life is about the moments we create while living through it.
One is that I'm really interested in movies about sex and lust, because I think those are primal, carnal instincts that translate well to a visual medium. Two, these things that I write, or want to make, are an expression of - I don't want to say darker instincts, but let's say darker instincts. But that's why I'm a writer.
I think if you look at where things are in this current political climate, you'll see that everything is polarized. Everyone has their own eco chamber that they can operate in; there aren't a lot of people interacting with each other. For me, with something like film, that's an opportunity to try to bridge those gaps.
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