A Quote by Peter Hedges

So, yes, I wrote a script called 'Ben Is Back' that I got to make with a bunch of remarkable artists and craftspeople. — © Peter Hedges
So, yes, I wrote a script called 'Ben Is Back' that I got to make with a bunch of remarkable artists and craftspeople.
When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.
Ben Hur, who said to his sister Ben Him, We'd better swap names before they start calling me Ben Gay! Never got a dinner!
I got it into my head that I was going to be starring in movies that I wrote, so that's what I did. I stopped acting in all things, and I wrote my first script, which was optioned a week after I finished it.
I helped found Artists for New South Africa, but it used to be called Artists for Free South Africa. Alfre Woodard and a bunch of us started this.
I have been influenced by many different artists at many different stages of my life. Starting out, it was people like Elton John, Billy Joel, Ben Folds, and Fiona Apple. As I got older I got deeper into the work of bands like the Beatles, artists like Sam Cooke, Ray Charles, Etta James, and Joni Mitchell.
I got a lot of experience for my age. Some artists might take a line or two from a bunch of songs and snip it together and make something, but everything I say I do.
I started writing when I was 26, so I don't even know what year that was. I wrote a script for me to star in. A friend of mine, who was an actor that I would compete against a lot, had written a script and was taking all these meetings. He just kept pushing me and was like, "You got to do it. You're going to love it!" He's a very successful screenwriter now. His name is Michael Bacall and he wrote 21 Jump Street, Project X, and Scott Pilgrim vs. the World. So it was a few factors.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
Is it true that you shouted at Professor Umbridge?" "Yes." "You called her a liar?" "Yes." "You told her He Who Must Not Be Named is back?" "Yes." "Have a biscuit, Potter.
I was already committed to a play back in New York about Hans Christian Andersen, where Colleen Dewhurst was going to play my mother. I was excited about that, and I got this script called 'Back to the Future,' and I thumbed through it. Didn't pay a hell of a lot of attention.
I have a tendency to say 'yes' to a script or no to a script. Not 'yes' based on a rewrite.
I have a tendency to say yes to a script or no to a script. Not yes based on a rewrite.
Me and Conan O'Brien and Robert Smigel and Dana Carvey wrote a script called 'Hans and Franz: The Girlyman Dilemma,' and it was going to be co-produced with Arnold Schwarzenegger, and he was going to co-star in it. We had a deal with Sony, we got paid to write it, and it was a musical, but it never got made because...I think Arnold kind of backed out at the last minute because he was getting cold feet because ;The Last Action Hero' had come out, where he was parodying himself. But it was a really funny script, and I wish it could've seen the light, because I think it would've done really well.
Ben Adaephon Delat," Pearl said plaintively, "see the last who comes. You send me to my death." "I know," Quick Ben whispered. "Flee, then. I will hold them enough to ensure your escape no more." Quick Ben sank down past the roof. Before he passed from sight Pearl spoke again. "Ben Adaephon Delat, do you pity me?" "Yes" he replied softly, then pivoted and dropped down into darkness.
When I did Ben 10, I really didn't know anything about Ben 10. But when I went back to visit my son Pierre and told him what I'd just done, he said "You did a Ben 10?!?" and then he started yelling out to my grandson, "Luca, Luca, come here, Granddaddy did a Ben 10 show." You suddenly discover you're gratte-cul with a five-year-old, and that's pretty cool."
I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten.
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