A Quote by Peter Hedges

The job in every re-write is to make it harder for your characters to get the thing that they need. — © Peter Hedges
The job in every re-write is to make it harder for your characters to get the thing that they need.
The hardest thing in my industry is longevity, getting your next job. It's hard to get the first job, but it's so much harder to get the sixth or seventh as a woman.
The harsh reality is that if you are middle-aged, write computer code for a living, and earn a six-figure salary, you're headed for the unemployment lines. Your market value declines as you age, and it becomes harder and harder to get a job.
I feel my fuller-bodied characters are all in the independent films I do, and in the studio productions, I have to work harder to dimensionalize the characters. And that's certainly part of the job description of an actor - that's what you're supposed to do - but you have to work harder at it in the characters that I've encountered in studio films.
Don't make your journey through life harder by placing rules on yourself like, 'I can't get married till I get promoted to your dream job.'
In an odd way I thought I was lowering the bar for myself, in saying, well, I'll make a pop album. But in a way it's kind of harder to make pop music. It's like the more abstract you get with music, you get into that emperor's new clothes thing, where you can go anywhere, and just claim that your audience may not be prepared to go with you. But with pop music, I think everybody understands the form, everybody knows what it's meant to do. So I would say it's harder to write that kind of music.
When you look at all of the male characters on television and in film, it's not like every one of them are the people doing the right thing that you can point to as your own moral compass. We need to have all kinds of characters represented.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
My job is to make sure that if you're a family in Florida, your children can get a good education and you have the opportunity for a job. That's my job and that's what I think about every day.
I had a very high opinion of my father's judgement of things and he said, "You better get a job that pays the bills because a writer doesn't make any money. If possible, get a job that allows you to write in your spare time."
I like the idea of a TV show. You take time to get to know your characters. You can introduce a lot of characters. You don't need your three-action set pieces that you usually need for movies.
Let's say you're auditioning for a part or you're going for a job you really want. You have to go in with a sense of self or you're not going to get the job. You need your ego to get what it is that you want to make things happen in your life.
Great brands are like great stories. And every story has a beginning, a middle, and an end. And our job is to make sure that every chapter of our stories makes sense to the one in front of it and make sense to the one after it. There is no such thing as an overnight success. You have to get up and put your work boots on every single day.
To get a job where the only thing you have to do in your career is to make people laugh-well, its the best job in the world.
To get a job where the only thing you have to do in your career is to make people laugh-well, it's the best job in the world.
It’s a job. It’s not a hobby. You don’t write the way you build a model airplane. You have to sit down and work, to schedule your time and stick to it. Even if it’s just for an hour or so each day, you have to get a babysitter and make the time. If you’re going to make writing succeed you have to approach it as a job.
The nature of acting is that one is many characters and jumps from one skin to another as a way of life. Sometimes it's hard to know exactly what all of your characters think at the same time. Sometimes one of my characters overrules one of my other characters. I'm trying to get them all to harmonize. It's a hell of a job. It's like driving a coach.
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