A Quote by Peter Heller

The one thing they didn't tell you at Iowa is how hard it is to make a living writing fiction and poetry. — © Peter Heller
The one thing they didn't tell you at Iowa is how hard it is to make a living writing fiction and poetry.
Poetry was my dirty little secret when I was a fiction writer at Iowa, and then fiction became my dirty little secret when I started writing more poetry and working for 'Rookie'.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
I went to school in California, at Stanford when I was seventeen, and I lived in San Francisco until I was twenty-three, and then I lived in Hungary for, like, a summer, and then I went to Iowa for three years. At Iowa, I actually did the fiction program, not poetry. I was a fiction writer for a long time before I was 'out' as a poet.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
I think I view myself primarily as a fiction writer. Poetry is more of a "hobby," a time of rest from the hard work of writing fiction.
I would not recommend poetry as a career. In the first place, it's impossible in this time and place - in this culture - to make poetry a career. The writing of poetry is one thing. It's an obsession, the scratching of a divine itch, and has nothing to do with money. You can, however, make a career out of being a poet by teaching, traveling around, and giving lectures. It's a thin living at best.
This sounds like a cliche, but I always wanted to write. After college, I did some writing and realized very quickly that it's hard to make a living as a writer. At that point, I was more interested in fiction writing.
I don't want to write poems that are just really clear about how I'm aware of all the traps involved in writing poetry; I don't want to write fiction that's about the irresponsibility of writing fiction and I've thrown out a lot of writing that I think was ultimately tainted by that kind of self-awareness.
I've been writing fiction as long as I've been writing poetry. It's just that the poetry took off, and it took me a lot longer to figure out how to write a story.
When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.
It's very unlikely that a writer is going to make a living by writing. So then the question is: how do you balance work, life, and writing? If you find out, please tell me.
One good way to start writing poetry is to read all kinds of poetry: not just in order to imitate but to fill up your head with it, to absorb it, to make poetry an essential part of how you view the world.
We're trying to make something that lasts in language and there's no question that many fiction writers began as poets and it's hard for me to think of any good fiction writers who don't also read poetry.
When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.
I went to graduate school in Iowa City, at the Iowa Writers' Workshop, where the most passionate thing I did was attend University of Iowa basketball games.
In high school, in 1956, at the age of sixteen, we were not taught "creative writing." We were taught literature and grammar. So no one ever told me I couldn't write both prose and poetry, and I started out writing all the things I still write: poetry, prose fiction - which took me longer to get published - and non-fiction prose.
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