A Quote by Peter Heller
The great thing about fiction is that everything you care about ends up going into the book.
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It's great finding a comic book character that doesn't care about following traditional comic book rules by breaking the fourth wall and being explicit about everything. This gives Deadpool the arrogance which you just have to love.
I think, oh my god, kids are reading, and they care about a book enough to come over and talk to me about a book that they care about. If I think about it as being a celebrity, it would freak me out. But I just think, lucky me, that I get to be a part of this whole thing.
If the novels are still being read in 50 years, no one is ever going to say: 'What's great about that sixth book is that he met his deadline!' It will be about how the whole thing stands up.
I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.
Anything people say about me I don't care. I really don't care. You read so much terrible stuff about yourself it sort of just ends up washing over.
General fiction is pretty much about ways that people get into problems and screw their lives up. Science fiction is about everything else.
Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.
When I am writing political op-eds, I do think carefully about the impact of my words. When I am writing fiction, it's a different story. In my fiction I am more reckless. I don't care about the real world until I am done with the book.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
One great thing about my mom, about the business, is that she has a really great head on her shoulders about everything and always has been 100 percent about the music and not about the other junk.
I still care deeply about so many thing. And so I'm going to be engaged. I'm going to be out there as - with a platform to talk about the things that I care about: foreign policy and, you know, violence against women, you know, the inequity in the tax structure.
The stuff that I used to worry about before, it's like I don't worry about it anymore. Which is kind of a beautiful result of having a baby. It's like everything gets so simple. It's like, 'Great, I care about how you're doing. I care about getting you what you need, and the rest of this stuff, if it happens, great, if it doesn't happen, oh well.'
The great thing about fiction is you can talk about things without being didactic about them, but hopefully forge a connection with people and an understanding about a shared humanity that tells its own story.
That is the great thing about Impact - they care about each individual talent and everything that we put out on TV has a lot of thought and time put into it.
I care about a lot of issues. I care about libraries, I care about healthcare, I care about homelessness and unemployment. I care about net neutrality and the steady erosion of our liberties both online and off. I care about the rich/poor divide and the rise of corporate business.
A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time, having a miserable time, even better. You don't want to read a book about someone having a great time in the South of France, eating and drinking and falling in love. What you want to read is a book about a guy going through the jungle, going through the arctic snow, having a terrible time trying to cross the Sahara, and solving problems as they go.
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