A Quote by Peter Higgs
The model I came up with in 1964 is just the invention of a rather strange sort of medium that looks the same in all directions and produces a kind of refraction that is a little bit more complicated than that of light in glass or water.
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Being in South Africa, that messed up my body a little bit. I broke out in spots, and I got really dehydrated, and the water was really different. It was really strange, because you're on the other side of the planet, and you think, 'Oh, water is the same everywhere,' and it is, but it still felt strange.
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
The way that the background fields generates mass is rather like the way in which when light passes through a transparent medium like glass or water, it gets slowed down. It no longer travels with the fundamental velocity of light c. And that's the way to think of the generation of mass.
If you've never met a student from the University of Chicago, I'll describe him to you. If you give him a glass of water, he says, 'This is a glass of water. But is it a glass of water? And if it is a glass of water, why is it a glass of water?' And eventually he dies of thirst.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
He said that faith is like a glass of water. When you're young, the glass is small, and it's easy to fill up. But the older you get, the bigger the glass gets, and the same amount of liquid doesn't fill it anymore. Periodically, the glass has to be refilled.
I modeled a little bit in Georgia growing up. I did catalogs and different things, but then when I came to L.A., I became a professional model. It sounds kind of crazy, but in L.A. was when I was able to start making a living from modeling.
Probably, the secret is to be less complicated. We of course love to make complications - look at the way we live. We have this tremendous amount of information, and probably it is really not so necessary. Maybe if you just drink water, you are kind to people and walk a little bit it's all done already. But we cannot resist this sophistication.
I was thinking how strange it is that water is one of the best, simplest things on this planet, and still with a simple glass of water you can neutralize so many of the greatest technological advances that we provide. Like with my blackberry, I can get in touch with so many people, but if I dip it in a small glass of water I'm completely disconnected.
The strangest thing. I came to the end of other people so quickly. Each new person was like a glass of water, and at the beginning I was parched, but then each glass tasted a little worse, the water was grittier, and by the end even the first sip was enough to make me gag, you know?
To me, the print business model is so simple, where readers pay a dollar for all the content within, and that supports the enterprise. The web model is just so much more complicated, and involves this third party of advertisers, and all these other sources of revenue that are sort of provisional, but haven't been proven yet.
I think people perceive my creatures as absurd because they look different, but at the same time, they are a little bit familiar. I want people to feel a kind of empathy with them. When you think about it, all nature is kind of strange looking.. in fact, I'm a strange a looking creature.
There are so many rules in Judaism, and if you get into them and you get obsessed and you have the kind of life that I have, it can make you a very unhappy person. It can make everything complicated and more stressful than it needs to be, so I kind of loosened the knots a little bit.
Drummers get bored. You tell them to play something simple, and it gets more complicated as they do it. If they're not a composer, if they don't have any kind of investment in the music, they'll just add a bit there and another bit there, and you think no! Don't do that. So you end up using a drum machine.
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