The Green Shore is an engrossing novel about political oppression, played out on an intimate family scale. Bakopoulos charts the subtle, gnawing pressures of life under the Greek junta - the steady drip of daily coercion - with an exacting empathy. In particular, her depiction of love under tyranny - by turns hesitant, furtive and liberating - is as astute as it is moving.
THE ABULON DANCE is an intricate and fast-paced novel of political intrigue and clashing alien cultures. The characterizations are rich, detailed, and subtle, the action engrossing. I finished it in a single sitting.
Natalie Bakopoulos has that rare gift, the ability to imagine a traumatic historical event in the form of individual lives and ordinary details. The Green Shore is compelling, personal, and full of quietly real moments.
It seems to me that you would have to write a novel on a very small, intimate scale for it not to become political.
I'd feel more of the pressures of daily life, obsessed about finding a job or love. Maybe I've taken these things for granted. I go through a lot of other things in the music industry, but "daily life" is a whole different war to fight.
It was what became something of a pattern in the first couple of years of the Clinton White House and maybe even longer, where information would drip, drip, drip, drip, drip out which would keep stories alive, alive, alive.
What is enthralling and illuminating about The Metaphysical Club is its portraits of individuals and their milieus. Menand is wonderfully deft at evoking a climate of ideas or a cultural sensibility, embodying it in a character, and moving his characters into and out of one another's lives. What might have been a jumble of intellectual movements and colorful minor figures (...) is instead a subtle weave of entertaining narrative and astute interpretation.
Adrianne Harun's dark, mysterious novel is by turns Gothic and grittily realistic, astute and poetic in its evocation of evil everywhere.
One of the first things to be noted in business life is its imperialism. Business is exacting, engrossing, and inelastic.
the novel is inherently a political instrument, regardless of its subject. It invites you - more than invites you, induces you - to live inside another person's skin. It creates empathy. And that's the antidote to bigotry. The novel doesn't just tell you about another life, which is what a newspaper would do. It makes you live another life, inhabit another perspective. And that's very important.
All social cooperation on a larger scale than the most intimate social group requires a measure of coercion.
I was obsessed with the Canadian novel 'Anne of Green Gables'. I decided I was Anne of Green Gables. There was something that spoke to me about her, and I wanted to have her beautiful red hair.
You have family", Bob said. "You have a wife who hates you. Kids who are furious with you. A brother and sister who make you insane. And a nephew who used to be kind of a drip but apparently is not so much of a drip now. That's called family".
A novel can enlarge the empathy and imagination of both its author and its reader, and my experience, that sense of enlargement is most intense when I'm transported beyond the narrow limits of my daily life.
The tyranny of mankind; it was like the obstinate drip of water falling on a stone and hollowing it little by little; and this drip continued, falling obstinately, falling without pause on the souls of the children.
God in eternity looked upon me forseeing my faultness, my pride, my sin and said 'I want that man in my family, i will pay for him to be in my family with my son's life. That's Love folks. That is mega off the charts love!!!
There's two things everybody got to find out for themselves: they got to find out about love, and they got to find out about living. Now, love is like the sea. It's a moving thing. And it's different on every shore. And living... well... There are years that ask questions and years that answer.