A Quote by Peter Hook
We don't to be some kind of rock supergroup for the sake of being a supergroup. You want to change things and say something fresh and new so you appeal to people as a new group.
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I say as long as the individual stays creative and continues to come up with fresh new and exciting ideas, rap will be here. That's established. Simple. As far as what I want to do, I want to get busy, man. I want to rock 60,000 people. I want to rock the Superdome.
I would say that being open to new things is kind of vital in this line of work, if not all lines of work, and being prepared to embrace the challenge of the new thing is something I want in my life until the day it's over.
These are stories you hear... of people sitting in a mall and being spotted, and you think it will happen to you. And when you're fresh off the boat, and new in Bombay, you want those kind of things! They are magical fables. You want to, somewhere, be a part of it, something people will read about. But reality is different.
Artists are always looking for new things and fresh ground and fresh air. If it feels new to me, there's a chance it'll feel new to the audience and we'll have found something.
When new things come along, some people always want the newest of the new - 'This is what I've been waiting for!' - and some people don't want or need the change - 'I like my old one.'
You can be a supergroup without having good songs.
In an homage, you always want to subvert it and have fresh new takes. You don't want the audience to say, 'Oh they just did 'The Amityville Horror' there,' you always want to add something new.
He was just dad to me. I never really looked at him as Mr. Supergroup, John Bonham.
In the late '90s, we kind of took a sabbatical, and I got an invitation to play with a Japanese band and formed a supergroup called NiNa. It was Yuki from Judy and Mary and Masahide Sakuma from The Plastics, a Japanese equivalent of the B-52s. It went to No. 1 in Japan.
I am sure there are some people who say that we are not metal, but we want to create a new genre that will appeal to people of all ages, both boys and girls.
[In remake] you've got to have something new to say, or technology that wasn't available, or a new chapter that kind of speaks to this generation of fans. They've got some unique assets, so we're certainly discussing those things.
I really love travelling to places where I get to learn something new about a new group of people or a new place. Learn some history, contemplate some business ideas, and sort of get off the beaten track a little bit.
I think in terms of being a New Yorker, as my friends would say, I don't take a lot of mess. I have no tolerance for people who are not thinking deeply about things. I have no tolerance for the kind of small talk that people need to fill silence. And I have no tolerance for people not - just not being a part of the world and being in it and trying to change it.
If there is some aspect of creation you find you do not enjoy, bless it and simply change it. Choose again. Call forth a new reality. Think a new thought. Say a new word. Do a new thing.
We had an extreme reaction to Storm Corrosion. We were proud of it, but it divided the audience. The metal fans were divided. Some went with it. Some hated it, since it wasn't the progressive metal supergroup they were waiting for.
People say to you, 'you've changed', or something like that, well, I hope, for the sake of God, that you have changed, because I don't want to be the same person all my life. I want to be growing, I want to be expanding. I want to be changing. Because animate things change, inanimate things don&'t change. Dead things don't change. And the heart should be alive, it should be changing, it should be moving, it should be growing, its knowledge should be expanding.
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