A Quote by Peter Hook
I've been very grateful and humbled by the fact that young people really dig Joy Division's music. It's a great testament to the chemistry and the songwriting prowess between the four original members.
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I think the Control has really opened up the music to a whole new audience. I've met kids recently, kids of people I know who are 14 and 17 who love Joy Division and have been a fan before the movie, which is really weird. How does that happen? I have no idea. But, the music that's out there today is heavily influenced by these bands from the 70s and 80s like Joy Division. I want them to take away a little bit of what Ian Curtis was and, at such a young age, he had so much going on.
I think Ace is a great guitarist, and with the four original members of KISS, there's a magic and chemistry that you just can't touch.
I look back on Joy Division very fondly indeed. I know that, of course, the band came to a tragic end, but that does not change the fact that Joy Division was a great band to be a part of.
Some people dig jazz, some people dig classical music, some people dig rock. Everyone is so concerned about who they like. They always say, 'This guy is the best,' 'No, this guy is the best.' But I think everyone is great. I really don't have barriers to any type of music. I could listen to everything from metal to classical music to anything else.
I find a therapy in playing music, in many different ways. At this point, I'm incredibly grateful for the relationship that it's given me with the men that I play music with. It's a great journey, and I'm really grateful for that. And also, being able to scream at the top of my lungs in front of people is very therapeutic.
Playing in those bars where people really don't care about your music really gives you an appreciation for when you get to a concert, and people are singing your original music - it's been a great journey, but I definitely didn't have an interest in music as a kid until I was a teenager.
I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.
Great music seems to come from a lot of angst, and that angst is from great musicians getting together with intense chemistry. When that chemistry isn't there, people tend not to write great music.
Pop music really is a love and a joy and a science [of songwriting].
I read one too many books about Joy Division by people who weren't there, and they always seem to dwell on the dark, the intense, the miserable image of Joy Division.
I am humbled and grateful for the four years the people of the state of Nevada have given me as governor and I am proud of the work we all did.
I think I've owned all the models of iPods so far. And these days between my iPod, iPhone and my personal laptop computer, I'm someone who is very, very grateful for all the ways to listen to music and completely switch off from people around me and listen to the music in detail, which is very hard to do if you're in a room with other people.
The interval, then, between the dates of original composition and the earliest extant evidence becomes so small as to be in fact, negligible, and the last foundation for any doubt that the Scriptures have come down to us substantially as they were written has now been removed. Both the authenticity and the general integrity of the books of the New Testament may be regarded as finally established.
I don't pretend to be Joy Division or New Order. What I do is very straight forward: it's an interpretation and a celebration of the music, with different people. Everyone looks at it and knows exactly what I'm doing.
Even very recently, the elders could say: 'You know, I have been young and you never have been old.' But today's young people can reply: 'You never have been young in the world I am young in, and you never can be.' ... the older generation will never see repeated in the lives of young people their own unprecedented experience of sequentially emerging change. This break between generations is wholly new: it is planetary and universal.
Looking back, I'm proud of what I've been able to do, grateful for the fact that I really have very few, if almost zero, nightmare stories of being on sets and working with the wrong people.
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