A Quote by Peter Hook
Originally, I didn't play any New Order when I deejayed. I suppose it comes from being a little embarrassed or humble or whatever. But people were coming to see me because of New Order, so in the end, I had to realize that if they were using my name on the poster, then maybe I should play some of the music.
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... then there was war in heaven. But it was not angels. It was that small golden zeppelin, like a long oval world, high up. It seemed as if the cosmic order were gone, as if there had come a new order, a new heavens above us: and as if the world in anger were trying to revoke it.
The New World Order is a more palatable name for the Anglo American world empire. It's the planetary domination of London, New York, Washington over the rest of the world. It's hard to get people to join that or think they have a part in it if you called it the Anglo American world empire. If you call it the New World Order, then people in India or some place like that or the European Union might think, "Well, there's something there for us too." But that's not what it is; it's the Anglo American New World Order.
Out of these troubled times, our fifth objective - a New World Order - can emerge. . . Now, we can see a New World Order coming into view. A world in which there is a very real prospect for a New World Order. . .A world where the United Nations, freed from a Cold War stalemate, is poised to fulfill the historic vision of its founders.
I don't have to support Bibi, his government or any other conservative organization in order to come and play music in Israel, for people who want to come and listen to music. I think it's b******t to ask me to boycott Israel and not America. It's interesting that some people choose to pick on Israel and isolate her... I was invited to perform and that's why I'll perform, as long as the border is open and I'm welcomed. I'm just coming to play.
I'm not a career kind of person. When I saw new music, new trends coming in, I didn't see any place for me. And I didn't think about it as a career loss, because I was married - I have a great- grandchild now. The low points were when I lost people that I really cared about.
Play gives children a chance to practice what they are learning...They have to play with what they know to be true in order to find out more, and then they can use what they learn in new forms of play.
People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.
See, if you put a musician in a place where he has to do something different from what he does all the time, then he can do that - but he's got to think differently in order to do it. He's got to play above what he knows - far above it. I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.
Coming from New Zealand, all the music I listen to is not made by New Zealanders. People never come to New Zealand to play a show because it's in the middle of nowhere.
Mostly I listen to old-time music, some bluegrass, some Americana stuff, too many to name. But of the younger acts, there are The Freight Hoppers, who were big in the '90s, and The Foghorn Stringband from Oregon, and there's a lot of young string bands coming up now, basically punkers who play acoustic instruments forming new bands.
I think I write in order to discover on my shelf a new book that I would enjoy reading, or to see a new play that would engross me.
Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records.
I was born just after the end of World War II, and with my friends in our little suburban backyards in New Jersey, we used to play war a lot. I don't know if boys still play war, they probably do, but we were thrusting ourselves into recent history and we were always fighting either the Nazis or the Japanese.
What originally established the band was cover songs like Not Fade Away. Then, later on, we got more well-known ones like Satisfaction, which you might say echoed the thinking of, well, any generation you care to name, including the present one. But we didn't set out on bits of paper that we were going to be the voice of a generation. The original aim of the Rolling Stones was to play blues. It wasn't even to play rock music.
If everybody'd agree to quit using money, I'd be happy to play for free every day for awhile. But I don't play benefits or any kind of fund-raisers. I prefer to play at hospitals, for people who otherwise can't see us. But I can't see playing for causes, whatever the cause may be.
A lot of people tell me now I'm their inspiration. They say, 'I don't play baseball,' and then they mention whatever - engineer, doctor, college student, high school student - but they're hurt because, for some reason, people feel shame about themselves or embarrassed because they are short or skinny or fat or whatever.
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