A Quote by Peter Hook
There are so little outtakes from the Joy Division era. We didn't have much money. You couldn't be very generous in recording, so we were very thrifty in how we recorded. Everything was very, very well looked after financially because we just couldn't afford it.
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I've lived very well all my life, even when I had no money, and there's very little I can't afford.
Everything is roughness, except for the circles. How many circles are there in nature? Very, very few. The straight lines. Very shapes are very, very smooth. But geometry had laid them aside because they were too complicated.
I think I'm probably a very sad man wrapped in a very joyful package, and I think I'm very resilient, and I think I'm quite generous, sometimes to a fault. And I'm very bad with money, but I don't see that too much of a flaw.
I wouldn't be in a huge hurry to go back to Kansas. It was just bizarre. There's a lot of very, very heavy set people who believe in whatever they were told, because they didn't seem to get out very much or be interested in leaving where they were. They just didn't seem that curious, and I find that a little hard to deal with.
But I was very, very unhappy because my mother was very charming and generous, but to me, very dominating.
Feelings about money -- saving and spending, holding back and letting go -- start very early in our lives. Stingy people have often been forced to give when they were very, very young, when they weren't ready. And generous people have often been really appreciated when they were very young.
I am very much aware of my own double self... The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child.
It got to the point where I couldn't afford to borrow any more money to lose. Know what I mean? That was just before 'Frampton,' my fourth album. As we were recording it, I was very down and depressed.
It was something very beautiful because we all had that interest. We were very close to all of the different groups of the time - the ones that we began to play with in the same venues - Maldita Vecindad, Caifanes, Botellita de Jerez. However, we were all very different, and each group had their unique way of expressing themselves; their own original voice. It was a very beautiful era of Mexican music, and the truth is that we are very fortunate to have been part of it.
The Roman Empire was very, very much like us. They lost their moral core, their sense of values in terms of who they were. And after all of those things converged together, they just went right down the tubes very quickly.
In competition, everything is very well planned in advance and very well detailed. You just stick to the plan, keep your head down and be as disciplined as possible in every aspect, whether sleep, recovery or the intensity of your training. And it's all recorded; the data is analysed.
World Play is very '70s arena rock, very raw and in your face, and that's what we wanted. We recorded it in a very off-the-cuff manner and didn't really plan out how we were going to play. My solos are first takes.
I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
The fashion world is very active and generous, despite the fact that it is not very well respected - or at least not as much as it should be.
The Royal Ballet School looked after me very well, they were like my family, and the company gave me everything. But I was unhappy and I didn't know how to express it.
David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.
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