A Quote by Peter Høeg
I'm not crying about anything or anyone in particular. The life I live I created for myself, and I wouldn't want it any different. I cry because in the universe there is something as beautiful as Kremer playing the Brains violin concerto.
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It is always tedious when someone tells you that if you don't stop crying, they will give you something to cry about, because if you are crying then you already have something to cry about, and so there is no reason for them to give you anything additional to cry about, thank you very much.
I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.
When you practice Dynamic Meditation for the first time this will be difficult, because we have suppressed the body so much that a suppressed pattern of life has become natural to us. It is not natural! Look at a child: he plays with his body in quite a different way. If he is crying, he is crying intensely. The cry of a child is a beautiful thing to hear, but the cry of an adult is ugly. Even in anger a child is beautiful; he has a total intensity. But when an adult is angry he is ugly; he is not total. And any type of intensity is beautiful.
Of course my books are translated into many languages. I have here, in my home, translations on my shelf of my books into forty-five different languages. Almost none of them I can read. I can read only the English editions. But, I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque. So, different musical instruments provide for different music.
Every orchestra is different. Sometimes, you're blown away by a particular musician. If I'm playing the Brahms concerto, it's crucial to have a great oboe player, because we work in tandem.
I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque.
'Something/Anything?' was kind of a different record, since I'm playing everything myself. A lot of the songs on there have a particular kind of instrumentation that is much like a guitar quartet, and in some ways, it's an exceptional song on that record because so much of the writing on 'Something/Anything?' is piano-oriented.
I like a good cry every now and then. It releases something. There are times in my life when I'm meant to cry, but I don't actually cry. But then I can be walking down the street and it's been a few months, and things get on top of me - that's when I find myself crying.
Crying can help, too. People are often afraid to cry because they are told that crying is for babies. Crying does not make you a baby, no matter what anyone says. There are times when people feel so bad that they can't express their feelings in words. At those times, crying helps.
And that's when I realized that there's really two ways people cry. You cry when you're sorry for yourself, and then you cry when you are really sad. The tears you cry for yourself? Those are kid tears. You're crying because you want somebody to help you or pick you up. Your mom, your dad, the old lady next door... anyone.
I don't want to sound creepy, but I remember when I couldn't really talk. I was looking at the television and my mother just moved one of the curtains, so the sun started to hit the television, and I couldn't see the television anymore. I started crying. I wasn't able to find the words to say, "I can't see this anymore, please do something about it." I remember crying and not knowing exactly how to express myself; not because it was painful, or that I was too upset, but because there were no words. As human beings, sometimes we just cry when we don't know how to say something.
Through my grandmother's stories always life moved, moved heroically toward an end. Nobody ever cried in my grandmother's stories. They worked, or schemed, or fought. But no crying. When my grandmother died, I didn't cry, either. Something about my grandmother's stories (without her ever having said so) taught me the uselessness of crying about anything."
I'm open to reading almost anything - fiction, nonfiction - as long as I know from the first sentence or two that this is a voice I want to listen to for a good long while. It has much to do with imagery and language, a particular perspective, the assured knowledge of the particular universe the writer has created.
We live in a time when people are afraid of beauty, because beauty passes; you can't hang on to it. And even if you see something or someone beautiful, the next time you hear it, it sounds different. So you can't cling to beauty; beauty passes and when that passes, you realize you pass too, and you will die. And that's why people cry at a beautiful view, a beautiful lecture, a beautiful painting, a new baby.
I love playing a villain. I think that there's something freeing about that, and it's a different kind of challenge. More than anything, for me as an actor, it's about challenging myself and doing as many different things as I can.
Sometimes I really wish that I could sit back and enjoy it, live in the moment more. But I am terrified, and I want to better myself, not that I want to prove anything to anyone other than myself. I am ambitious, and there are many things I want to do. It doesn't get any easier.
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