A Quote by Peter Jacobson
Why things get canceled or not is so unbelievably out of actors' hands that it's one of those things where you've just got to ride with it.
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Things end in this business. Shows get canceled, or you walk away from them - but most likely, things get canceled.
Kids get bored easily. They have got to get out and get their hands dirty: make things, dismantle things, fix things.
Engineering stimulates the mind. Kids get bored easily. They have got to get out and get their hands dirty: make things, dismantle things, fix things. When the schools can offer that, you'll have an engineer for life.
It was our goal to dig into the characters and really try to find out why they think the things they think and why they do the things they do - and we got some amazingly candid and revealing interviews - but it's not my job to offer summary judgment on those interpretations.
I like to just make things... If I have the TV on, I'm not just going to sit there. I want to do something with my hands; I've always got a project. Or I get a small group of people over, and I say, 'Let's make these things today.'
I don’t know why life isn’t constructed to be seamless and safe, why we make such glaring mistakes, things fall so short of our expectations, and our hearts get broken and out kids do scary things and our parents get old and don’t always remember to put pants on before they go out for a stroll. I don’t know why it’s not more like it is in the movies, why things don’t come out neatly and lessons can’t be learned when you’re in the mood for learning them, why love and grace often come in such motley packaging.
There are etiquette things that actors, new actors, need to know about. Because it only takes one mess-up on a set to get fired. Not being where you're supposed to be or saying something to the wrong person that you're not supposed to say, and those are like basic things that the actors need to know.
Guys, just remember, if you get lucky, if you make a lot of money, if you get out and buy a lot of stuff--it's gonna break. You got your biggest, fanciest mansion in the world. It has air conditioning. It's got a pool. Just think of all the pumps that are going to go out. Or go to a yacht basin any place in the world. Nobody is smiling, and I'll tell you why. Something broke that morning. The generator's out; the microwave oven doesn't work . . . Things just don't mean happiness.
Rather than, as an actor, I want the audience to like me, I'm going to smile beautifully and I've got everybody's sympathy - what about showing the moments when somebody is unbelievably petty? Or really selfish? The faults, the little things, those are the things that interested me about playing the character.
You've just got to get over that mental hurdle and those battles in your own head during matches when things aren't going so well. It takes time. It's probably all things I already knew, but for someone to talk about it maybe in a different way makes you realise things.
You hear stories about directors using manipulation to get actors to do certain things, but I think when you're working with professional actors, it's all about trust. They can do anything you want, it's just a matter of them understanding what you're looking for, and the reason why.
A lot of critics sometimes get into analyzing the way actors direct versus non-actors directing. And they really always miss it. It's one of those things where, by not being practitioners, they just came up with something that made sense to them.
Some of what I am doing when I am researching is looking for things people in my family have done and finding out what those things mean, why they did those things and seeing how I fit into them.
It takes a strong person to admit he's got problems. Things are bugging you, you've got to get it out. Life is supposed to be peaches and cream, but it doesn't turn out that way. I sometimes found things confusing and sometimes didn't understand how things can be so difficult.
At the end of the day, making 'Monster' was unbelievably hard, as making any movie is. And the only thing that made it worth it is not those awards and all those kind of things that I can barely remember because I was so overwhelmed. It was really that night in the editing room, that day on set. It was those things.
Where are you going?" "Nowhere special. I just have some... things to do." "Why did you pause?' "I'm sorry?" "You paused. You have 'some... things to do.' "No reason, I just--" "You're up to something." "No--" "Then why'd you pause?" "Get in the car." She got in. He got in. "Seat belt," he said. Why'd you pause?" His head drooped. "Because I'm up to somthing." "And why can't I come with you?" "Because it's something sneaky." "Do you promise to tell me later?" "I do." "Well all right then." She clicked her seat belt into place. "Let's go.
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