A Quote by Peter Jacobson

Steve Zaillian is just the sweetest. A very, very wonderful and interesting director. — © Peter Jacobson
Steve Zaillian is just the sweetest. A very, very wonderful and interesting director.
It's interesting in seeing when I'm talking to men in particular and telling them I'm an actress versus a director and the different turn the conversation will take when I say I'm a director. The level of respect is very interesting.
It is wonderful... Steve and Dan took professional football to a whole different level with the way they played the game. The fact that Steve is going in with Dan is very special.
I just think that I was very fortunate to have had the opportunity to work with some very fine filmmakers in the industry. I worked with some wonderful people on some really interesting projects. So I consider myself very fortunate.
Analytical philosophy was very interesting. It always struck me as being very interesting and full of tremendous intellectual curiosities. It is wonderful to see the mind at work in such an intense manner, but, for me, it was still too far removed from my own issues.
I didn't like the tone of Steve Jobs [movie] [2015] at all. It was very ugly, kind of rude. I didn't laugh, it was very uncomfortable. It seemed like all the worst moments of his life. It was very critical of Steve Jobs as a person, and it didn't make for a comfortable viewing experience for me. But I guess I don't know who Steve Jobs is, and I guess I didn't know what I was gonna go see. I thought it was gonna be celebrating the rise of Apple, but it wasn't that at all.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
I can't imagine any director directing a screenplay of mine, because the great directors all have very personal styles, and the ones that don't are not very interesting directors.
Robert DeNiro, who may be the greatest living actor, usually acts in a way which is very stone-faced, like Steve McQueen. For example, Steve McQueen, if you cut the sound, you don't know what he's acting really. He gives to the lines, to the text, something very special, and he's very good. He was a great actor. But, to do a silent movie, you have to have more expressive actors.
I think Chris Weitz is an amazing director, and his sensibility - I wouldn't even know how to articulate it - it's just, he's a very sensitive, interesting guy.
I have had wonderful times and educated two children with my husband, and I just consider myself very lucky. I've had a very interesting career - I've been all over the world. I lucked out; I think you can say that: I really lucked out.
Steve Jobes called anybody. He was fearless. When he was very young, he had no filter. He would call the president of Hewlett-Packard and the head of Atari and say, 'I'm Steve Jobs.' He just didn't take no for an answer.
I'm just having a wonderful time. It's an interesting thing that I'm very comfortable with this material and I don't know why. Maybe it's because I did MacBeth.
After all," Anne had said to Marilla once, "I believe the nicest and sweetest days are not those on which anything very splendid or wonderful or exciting happens but just those that bring simple little pleasures, following one another softly, like pearls slipping off a string.
I am a fortunate man in that all three of my daughters are exceptional. Very high beings, very smart people, very wonderful and very brilliant, very beautiful. They're all artists.
It was wonderful working with Kundan Shah. He is a very good director.
There is a Steve [Jobs] that Apple would like to actually present to the public. They have a character, Steve, and they want to keep that story going. And it's very important that writers challenge that occasionally and not just trust their parent companies to tell them.
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