A Quote by Peter Jacobson
Every actor wants to know in different ways. Some like to know everything. Some don't want to know anything. I think I land somewhere in the middle.
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Every actor I think has got their own number of takes that they like, you know. Some actors like to go all day, you know on the one scene and some actors want to take two takes. I personally like four.
On things like censorship, I think everything should be allowed on television. You know, I mean anything. I don’t know who believes that anymore. Every left wing party says there should be some degree of censorship, that some things are bad taste. But it’s unjustifiable for anyone to decide what is bad taste.
One wants recovery to start from the bottom, and the other wants it to start from the top. I don't know which is right. I've never heard of anybody suggesting that they might start it in the middle, so I hereby make that suggestion. To start recovery halfway between the two, because it's the middle class that does everything anyhow. But I don't know anything about it.
I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.
Some days confidence shrinks to the size of a pea, and the backbone feels like a feather. We want to be somewhere else, and don't know where - want to be someone else and don't know who.
It's really hard seeing somebody you love be in pain and be ill and there's nothing you can do. What's interesting is people act in so many different ways. You know, some people run away, some people get angry, some people fall apart. It's like everybody has a different way of dealing with stuff like that.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
When I retire, I don't want to just move to some island somewhere. I want to be the guy who gives it all back. I want it to be like, 'Hey who donated that hospital wing that's saving so many lives?' 'I don't know. It was anonymous.' 'Well, guess what. It was Michael Scott.' 'But how do you know? It was anonymous.' 'Because I'm him.
I think the president [Barack Obama] adopted some of that same language, but took it into the White House. And I think, like, there's a crucial difference between being, you know, Joe Schmo in the neighborhood and being the head, you know, of the government that, you know, in many ways is largely responsible for those conditions in the first place.
Put on a camera and put on some whatever, and you're an actor. Put me in a cage, I'm a fighter. Put me somewhere else - I'm in an ocean, I'm a surfer. I don't know what I am, I just do it all. And I want to be good at everything.
I think every filmmaker wants... I don't know about every filmmaker. I certainly want my films to just exist. I want them to be judged for what they are and analyzed, accepted, criticized, whatever you want to call it, on their own terms, not as part of some mall-cop genre.
I stay around for two or three hours after every show signing and taking pictures with everybody, and people come up and say hi and they say, "I didn't know what to expect but it was so different to what I imagined, it was so cool". I want to believe they're not lying. You know so, some people don't get it, some people do.
I wash it a couple times a week, but pretty much every night, I put in some leave-in conditioner. I want to say it's like a Moroccan-type, argan oil conditioner of some sort. I don't know; I just use it. I don't really know the details on it.
I think music for me, it's part of my life. I like music. I think I'm very emotional, so, you know, I just try to take all the emotion, you know, that music bring it to me, you know, some make - I mean, help me to calm down some, for sure motivate me more. You know, there's always music. I think just make me smooth before the match, you know.
I believe in knowing all you can about the music and the people who made the music. I think it's much more important to know some good Miles Davis stories than to know how to play like Miles. I think you'll play better if you know some of the funny things he did than if you know the licks that he played.
It's crazy, it's different. It's what I wanted, but it's different. It's not exactly what I wanted, you know what I mean? If you become an actor you want to be a successful actor; but with success comes a lot of things. Some of it's great! It's great to be able to pay your rent from the work that you do.
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