A Quote by Peter Jacobson

It was fun shooting with Josh [Holloway], not just how great he is, but just how handsome he is. — © Peter Jacobson
It was fun shooting with Josh [Holloway], not just how great he is, but just how handsome he is.
The directors did an amazing job and Josh Holloway is just he's just shining. I think that, of the people I started working with, he's one of the people I'm most impressed with. How he's grown and learned and he's been just stunning everyone with his performances.
Josh is the guy in the band who's just so friendly and super, wanting to walk up to you and say, 'Hey, I'm Josh. I drum in this band, and I'm a big fan of you, and I really appreciate what you do.' Josh has all these great friends in the industry now.
Tarantino is the coolest damn guy; he's just so much fun to work with. He might be the best director I've ever worked with. He just seems to know how to do it and he knows how to make you feel good about it. He's having so much fun you start having fun. You can't help it.
I like watching Tom Brady, not just because he's handsome - I get handsome; I understand handsome - but he's a fine leader, he's a great quarterback, and I like the team. I'm not going to apologize for that.
People know me as just this handsome guy - a very handsome guy. But I can also be funny and fun.
It would be great to not have any injuries and just go out and play football and have fun ... But in life there are adversities, and it all just depends on how you overcome them.
It's never going to be perfect, but you're shooting for it. You're just trying to be the best at what you do. That's just how I always think.
It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it.
Working on 'Laguna' was great because just being in production and shooting stuff and having to go back and relive some things, and there were some lines here and there that the producers would want us to say, and just kind of, you're forced to recreate moments, and just working on the show was so much fun.
I was at a restaurant and I heard this little voice at a nearby table pipe up and say, 'I believe I will have the chowder.' I got up and walked out into the middle of the restaurant. There was Sterling Holloway just sitting there being Sterling Holloway. Never in a million years would I have imagined that I'd have the honor of filling his shoes. I just regret not going up to him and saying hello.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
It's really fun to say no sometimes. I just don't want to discount how fun it is to say no and exercise your right to say no, and - as a girl - it's important to know how to say no... and that no means no!
The issue is: how do you engage the audience? And one of the things I talk to our communicators about is: The outline is great; the stories are great. But how do you engage them? How do you make it feel like we are on a journey, not you are just up there giving me information.
I know, for me, dance did inspire me. Not just in how I feel but that confidence of being able to hold myself and come into a room and just feel comfortable with my body and how I stand and how you present yourself and just how you wear clothes, even.
I don't think we realise just how fast we go until you stop for a minute and realise just how loud and how hectic your life is, and how easily distracted you can get.
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