A Quote by Peter James

Drafting is like painting the Golden Gate Bridge.The closer you get to the end, the more you start to worry about the beginning. — © Peter James
Drafting is like painting the Golden Gate Bridge.The closer you get to the end, the more you start to worry about the beginning.
My slightly scary moment while travelling was when I decided to run across the Golden Gate Bridge in California. The weather was unbearably cold, and by the time I got to the bridge, it was already 8 P.M. I had about an hour to run across and come back, as the gate would shut by 9.
(on Warner Brothers) This studio has more suspensions than the Golden Gate Bridge.
The Golden Gate Bridge should have a long bungee cord for people who aren't quite ready to commit suicide but want to get in a little practice.
I revise a lot while I'm drafting, often going back to the beginning again and again to revise because I've changed massive things about the story. By the time I get to the end of a first draft, I've been through the beginning lots of times.
Golden bridge, silver bridge or diamond bridge; it doesn't matter! As long as the bridge takes you across the other side, it is a good bridge!
Nothing could be lovelier than running across the Golden Gate Bridge in the middle of the fog.
The Golden Gate Bridge in San Francisco is for the community of San Francisco. And the Brooklyn Bridge, which is one of the most magnificent bridges ever built, is also a monument to the community, you see.
San Francisco! City of dreaming spires, people live here... Golden Gate Bridge, ahh the Romans came here.
I always feel trepidation at the beginning of every project. I worry about so many things. Time to get it right, the skill to do it justice, the will to finish. I also worry about more mundane things, like what if my computer crashes and I've forgotten to back up the manuscript?
writing is like being in love. You never get better at it or learn more about it. The day you think you do is the day you lose it. Robert Frost called his work a lover's quarrel with the world. It's ongoing. It has neither a beginning nor an end. You don't have to worry about learning things. The fire of one's art burns all the impurities from the vessel that contains it.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.
You can find your way across this country using burger joint the way a navigatior uses stars....We have munched Bridge burgers in the shadow of the Brooklyn Bridge and Cable burgers hard by the Golden Gate, Dixie burgers in the sunny South and Yankee Doodle burgers in the North....We had a Capitol Burger - guess where. And so help us, in the inner courtyard of the Pentagon, a Penta burger.
On a film, you start to get closer and closer with the people you're working with, and it becomes like this circus act or this travelling family.
Doing the show was like painting the George Washington Bridge. As soon as you finished one end, you started right in on the other.
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