A Quote by Peter James
Life's not some slot machine in an arcade with a sign that flashes up saying 'I'm sorry, you have been killed. Would you like another go?' But we might get put through the same test each time, get faced with the same situations until we've learned how to cope.
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Women and men will have to go through the same physical test before they get into these ground combat jobs, and the test will increase over time for again both Marine Corps and the Army just to make sure everyone is physically fit enough to go through these jobs, to get through this training.
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
I watched a lot of television as a kid, and the suburbs to me - that was exotic! Like, a mom and dad who lived in the same house and had jobs and cooked breakfast at the same time every morning and did laundry in a washing machine and dryer? That was like, 'Woah! Who are they? How do you get to be like that?'
It's like the piano and the cello are being poured into my body, the same way the IV and blood transfusions are. And the memories of my life as it was, and the flashes of it as it might be, are coming so fast and furious. I feel like I can no longer keep up with them but they keep coming and everything is colliding, until I cannot take anymore. Until I cannot be like this a second longer.
You really have so little choice - so little to decide. You get put through the machine and it chops you up and spits you out. Your life, it's all mechanical, of the machine, until you have free will. You can't be accepted into the Work until you have matured -- freed yourself and take responsibility for your life, become accountable for your every action. It's not just from coming to a school. It's an active process - you have to take the responsibility for yourself. When you're trapped in the machine, it doesn't matter what you do.
I go to practice each and every day, but my intensity is not the same. If I get tired, I'll go sit down. If I want some water, I'll go drink it. When I'm in training camp, I don't. I've got to push through being tired. I've got to push through being uncomfortable. That's really it. It's largely a mentality. You kind of flip that switch and turn your intensity up. Your heart rate goes up. Your reps go up. And you start to get in the frame of mind.
That's how you get deathless, volchitsa. Walk the same tale over and over, until you wear a groove in the world, until even if you vanished, the tale would keep turning, keep playing, like a phonograph, and you'd have to get up again, even with a bullet through your eye, to play your part and say your lines.
There are some fires you can't get out of- you've got to go through the fire - you've got to go through the flood - you've got to go through the test - you've got to go through the struggle that you might decrease and he might increase.
Do you have any idea how many lives we must have gone through before we even get the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand! And then another hundred lives until we began to learn that there is such a thing as perfection, and another hundred again to get the idea that our purpose for living is to find that perfection and show it forth... we choose our next world through what we learn in this one. Learn nothing, and the next world is the same as this one, all the same limitations and lead weights to overcome.
We always had a guitar at home, but it wasn't until I was 14 when I picked it up myself when my father handed me these sheets of music of the Beatles and some other classics. That's where I learned all the chords and learned how to play and sing at the same time.
Every time humanists try to get a slot on 'Thought For the Day' on Radio 4, they are told it's reserved for 'the faith community,' whatever that is. Yet 'TfT' is almost always pabulum about how God wants us all to love each other and care for the unfortunate. I'm sure humanists would say much the same, without God.
I might put a couple of quarters in a slot machine, but I don't know how to play roulette.
I've been to Sardinia about 10 times because my wife, my daughter and I used to go every year with another family. We rented the same house each time in Villasimius in the southern part of the island, and always went to the same two beaches and same three restaurants.
What a story that would make! How many men and women go through the same rivers, menaced by the same sharp clichés, the same jagged dangers that have threatened us! If the idea stands up, I thought, it would be worth uncovering the typewriter! How Richard-years-ago would have wanted to know: What happens when we set off searching for a soulmate who doesn't exist, and find her?
I've been at this for a while, and to a very real extent, you look at cover art with the same sort of expectation you have for playing slot machines in Vegas. That is to say, you hope to break even and promise yourself not to flinch when all you get is the same sort of mix of fruit that you get in a cup of generic fruit cocktail.
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