A Quote by Peter Kay

There's some belting hymns. Brilliant hymns. When I was an altar boy the hymns were great. — © Peter Kay
There's some belting hymns. Brilliant hymns. When I was an altar boy the hymns were great.
One of the things that is wonderful about hymns is that they are a sort of universally shared poetry, at least among certain populations. There isn't much of that anymore either. There are very few poems people can recite, but there are quite a few hymns that, if you hum a few bars, people can at least come up with two verses. Many of the older hymns are very beautiful.
What a way to learn great theology! That's what comes to mind whenever I sing one of those old hymns. "And Can It Be" is like putting the doctrine of salvation to music. "Come Thou Fount of Every Blessing" is a melodic lesson in grace. No wonder good hymns make for strong faith!
My mum was raised Jewish, my dad is very scientifically minded, and my school was vaguely Christian. We sang hymns in school. I liked the hymns bit, but apart from that, I can take it or leave it. So I had lots of different influences when I was younger.
Sometimes I, as a public official, turn to Scripture or hymns - especially hymns, because sometimes we Catholics don't have the Scriptures memorized like we should - to help me explain a public policy position or an idea or to be able to articulate it better when you're talking about justice or mercy or compassion.
Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted.
When I did the Abyssinian mass, I went through the whole history of the church music and the gospel music, even with the Anglo American hymns, the Afro American hymns, the spirituals and how it developed, up to Thomas Dorsey and the Dixie Hummingbirds, going through the history of the music, jazz musicians.
I grew up in the church, with traditional hymns, but at the same time I was beginning to listen to pop music, the mid-60s, The Beatles, which had just as much influence on me as those hymns did. Then the hippy stuff like Pink Floyd started to raise questions about how I lived my life and the world in which I lived.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
The great folk hymns are a perfect marriage of text and tune. There are those that have nice messages and some with good music, but it is such a bonus when they are both wonderful.
Some of the stuff I'm writing is almost like hymns, some of my first singing and choral experiences were in church, the Church of Christ in Hicksville.
Being part of a community with a church at its centre and singin' hymns is a great thing to do.
The singing of hymns and the rendition of selections from the great sacred oratorios by ward choirs all enhance the spirit of worship.
Hymns are the poetry of the people.
Hymns are companions for life travelers.
I could be religious, if they sang the hymns to disco.
My poems are hymns of praise to the glory of life.
This site uses cookies to ensure you get the best experience. More info...
Got it!