A Quote by Peter Kreeft

It is easier to compare concrete things in a fictional story with concrete things in real life than it is to compare abstractions with concrete things in real life (though both are honorable and necessary things to do).
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
Life holds many, many, many mysteries, abstract things we all think about. In a film when things get abstract, some people don't appreciate that and they want to leave the theater. Others love to dream, get lost, try to figure things out. I'm one of those people. I like a film, a story that holds concrete things but also abstractions. So when ideas come along that have those things, I'm falling in love and going to work.
In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.
We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.
In the West, the spirit is separate from the body. In the East these are things that are very real and concrete.
Painting is an essentially concrete art and can only consist of the representation of real and existing things.
The heart of mathematics consists of concrete examples and concrete problems. Big general theories are usually afterthoughts based on small but profound insights; the insights themselves come from concrete special cases.
I used a psychologist when I was playing, It's one of the most powerful things: how you can have a concrete head and not let things in.
But what a feeling can come over a man just from seeing the things he believes in and hopes for symbolized in the concrete form of a man. In something that gives a focus to all the other things he knows to be real. Something that makes unseen things manifest and allows him to come to his hopes and dreams through his outer eye and through the touch and feel of his natural hand.
The worst thing you can become in life is cynical. Cynical is like concrete. and nothing grows in concrete.
Truth, which is important to a scholar, has to be concrete. And there is nothing more concrete than dealing with babies, burps and bottles, frogs and mud.
Avoiding life, avoiding making any concrete plans for your life-that's just one way you're pretending you can keep bad things from happening to you again.
Truth, which is important to a scholar, has got to be concrete. And there is nothing more concrete than dealing with babies, burps and bottles, frogs and mud.
I think it's important to understand the concrete ways things work and to respect that. But some things shouldn't be explained, and you have to respect that, too.
What the world, social and political, concrete and mental, really needs is not new things, but the old things made new.
You feel a certain way in a glass or concrete or limestone building. It has an effect on your skin - the same with plywood or veneer, or solid timber. Wood doesn't steal energy from your body the way glass and concrete steal heat. When it's hot, a wood house feels cooler than a concrete one, and when it's cold, the other way around.
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