A Quote by Peter Landesman
I don't actually see that much difference between telling stories in journalism and telling them on film. The tools are very different, but the basic idea is the same.
Related Quotes
The difference between hope and despair is a different way of telling stories from the same facts.
The same basic tools we've used for thousands of years to connect with people, to draw them in and to hold their attention will always work, even if we're telling our stories 140 characters at a time.
I don't think journalism changes. It's about digging into stories and telling them well. The basic tenets of great reporting stay the same while things around it change. Technology has made reporting easier, but it has also caused job loss. Social media has increased discussion around topics, but it has its own challenges at times.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
[I have a] fondness for telling stories, like the Arab storytellers on the marketplace. ... I will never grow tired of [telling] stories [and] I make the mistake of thinking that everyone has the same enthusiasm!
We know there needs to be diversity in storytellers telling their own stories. I think there's a beautiful forward movement in that direction with McQueen telling '12 Years A Slave,' with Coogler telling 'Fruitvale,' and with Daniels telling 'The Butler.'
Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories.
Discernment is not a matter of telling the difference between right and wrong; rather it is telling the difference between right and almost right.
Why the connection with musicians? I think it's because in the end we're doing very similar things - we're telling stories, we're using poetic, lyrical language, and we're distilling stories down into their simplest form. We're both telling a story in two languages - word and music for them; and word and image for me.
I have lost stories and many starts of novels before. Not always as punishment for 'telling,' but more often as a result of something having gone cold and dead because of a hiatus. Telling, you see, is the same as a hiatus. It means you're not doing it.
I like the purity of telling stories now because not a lot of people are telling stories in their music. I wanna tell my specific story: what I see right now.
I've heard some writers say that they are obsessed with certain ideas and that they find themselves writing around the same obsession again and again, but telling different stories to get at that same idea. I'm beginning to think that I suffer from this syndrome, too.
I've enjoyed the singular focus of not going back and forth between the two mediums. It isn't about the screen size so much as film being where the stories I'm most interested in telling happen to be at.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
When people are always telling you that you have to have a lot of women, women are very important, there's a chance that you might actually begin to observe them on a more fundamental level. Then you get so much focus that one day you might actually see. Dominican men are told to look at women all the time, but they're definitely not told to see them.
There are many different ways of telling an interactive story, I think. I don't think there's a right one and a wrong one. There are different games telling different types of stories in different ways.
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