A Quote by Peter Landesman
One way to test a picture's integrity is to turn it upside down - a technique used not only by connoisseurs but also by artists trying to see their work with a fresh eye.
Related Quotes
I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work.
I'm always trying to turn things upside down and see if they look any better.
The whole world turns upside down in ten years, but you turn upside down with it.
You can't be an inventor trying to figure a better way of changing the spare tire. That's boring. We need someone who figures out how to hit a button and turn the entire car upside down.
While no inference is intended here, it is worth noting, in connection with Milton Friedman's comment that "Kelso just turned Marx upside down," that it is not necessarily amiss to turn a fellow upside down if that in fact straightens out his thinking.
The party impulse is a very subversive impulse. I mean, you know, a lot of artists have too much integrity to sell their art as a brand; but who has so much integrity that they would turn down a party?
We're a part of the insurrection, trying to turn Christianity upside down. We're an experimental church: God's research and development arm.
The world has flipped upside-down. It used to be a pyramid of authority; now it's upside down. The influence actually rests with the mid-level people, who speak peer-to-peer. If they're for you, you win.
If I could only turn the etch-a-sketch of my life upside down.
We work so hard as young artists to further our careers or improve our technique, sometimes it gets so easy to not actually go and see things like a play or a film. I think the best way to get better is to see other actors do what they do well.
If the world is upside down the way it is now, wouldn't we have to turn it over to get it to stand up straight?
I don't see many artists who are not trying to bring their work to the public - -to the contrary I see artists nearly desperate to get attention for their art and, failing that, often for themselves.
If you look at how great artists of the past, like Beethoven, for example dealt with art and morality, you see that there was torture and pain in their work, but there was also dignity in the way that was dealt with. So I don't buy this contemporary notion that the only way to be artistic is to be arrogant, offensive or immoral.
Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.
Everything here at St. Aggie's is upside down and inside out. It's our job not to get moon blinked and to stand right side up in an upside down world. If we don't do that we'll never be able to escape. We'll never be able to think. And thinking is the only way we'll be able to plan an escape." -Gylfie
I find that you can use an acting technique when the thing isn't working, not that you make the technique the end result of your work. You use the technique when you're in trouble and things aren't flowing the way they should. It's a way of fooling yourself to make it work again.
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