A Quote by Peter Landesman
We've all seen 'Network' and 'Wag the Dog,' but we were somehow insulated by the fact that those were just movies, fictions, and we could rest easy that the Real News doesn't operate that way. Well, it does - sometimes.
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Television and movies were our biggest teachers. When we came to the United States, the Vietnam War was just ratcheting up. And so the Asian faces that I saw on the news, they were the face of the enemy. Asian men, particularly, were either small, ineffective, or they were evil. And those messages were deeply, deeply embedded in me for many years.
Why shouldn't it be that way for the rest of us? Why not just go with it? Just walk the dog and send the tweets and eat the scones and play with the hamsters and ride the bicycles and watch the sunsets and stream the movies and never worry about any of it? I didn't know it could be that easy. I didn't know that until just now. That sounds good to me.
She couldn’t hide from everyone for the rest of her life… Well she could. That was the direction things were going. But she knew from long-ago experience that when you were uncertain and if you were courageous enough to let her in a real friend could do a world of good.
Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line.
Many later commented on the fact that large numbers of those engaged in the most senseless acts of destruction were left well alone by cops, indeed people dressed as Black Block members were seen freely making their way across police lines and talking to cops.
I always feel, I guess being a product of the movies of the 40s where movies were the greatest things and screens were big and palaces were palaces and stars were larger than life that reality was so much inferior to what we felt was conceivably possible from what we had seen in the movies.
I wanted to do serious movies. I had a certain idea of what good acting was. That's since changed, and I love doing comedies now. I don't like a lot of those movies now, but I thought those were movies that I could do real, serious performances in.
Those old '90s models when women were just themselves and they were real and they were embraced that way - I think we should get back to that.
Our moral reasoning is plagued by two illusions. The first illusion can be called the wag-the-dog illusion: We believe that our own moral judgment (the dog) is driven by our own moral reasoning (the tail). The second illusion can be called the wag-theother-dog's-tail illusion: In a moral argument, we expect the successful rebuttal of an opponent's arguments to change the opponent's mind. Such a belief is like thinking that forcing a dog's tail to wag by moving it with your hand will make the dog happy.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
Of course, it is possible for any citizen with time to spare, and a canny eye, to work out what is actually going on, but for the many there is not time, and the network news is the only news even though it may not be news at all but only a series of flashing fictions.
Today, the news is scandals; that is news, but the many children who don't have food - that's not news. This is grave. We can't rest easy while things are this way.
Today, the news is scandals, that is news, but the many children who don’t have food - that’s not news. This is grave. We can’t rest easy while things are this way.
The strange thing about the apocalypse is that it's uneven. For some people, it goes one way and for others another way, so that there's always this shifting relation to the narrative of the disaster. Sometimes apocalypses are just structural fictions, and sometimes they're real. Sometimes a narrative requires an end - the fact that the beginning was always leading somewhere becomes clear at the end. There's an idea that we're always in the middle, but we posit this apocalyptic end in order to also be able to project into the past or the beginning. I think that's true and false.
If you want to understand why a minority of American voters are unplugged from the fact-based news that the rest of the country depends on, just imagine being told multiple times a day that real news is a hoax.
Back then, you seemed like a crazy person when you were trying to push the boundaries of network TV. People looked at you, and they were offended by the fact that you didn't follow the generic rules of what was expected on network TV.
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