A Quote by Peter Lindbergh

I don't retouch anything. — © Peter Lindbergh
I don't retouch anything.
I'd love to retouch my whole life.
You don't need to retouch if you know how to light.
Please don't retouch my wrinkles. It took me so long to earn them.
I plan my workouts around my blowouts and often retouch the root and do curls if it gets messy after a workout.
The urge is always with me to retouch yesterday's canvas with today's paintbrush and cover the things that fill me with regret.
I don't think cellulite is great - that's not a flaw that I want in a photo by any means! I retouch that crap out. But I tell women that I'm retouching it out.
I never retouch a sketch: I take a canvas the same size, as I may change the composition somewhat. But I always strive to give the same feeling, while carrying it on further.
The plus size movement is not just about fashion; it's about body image, and if we're doing a shoot, they won't retouch us at all. That's the cool thing: there's no retouching at all because we want to give girls the truth, not a fabrication.
I don't care what you do with that negative, you can retouch it, you can spit on it, you can grind it underfoot. The only thing that matters is if it is honest. If [the picture] is honest, you and everybody can tell. If it is dishonest, you and everybody can tell.
Human relationships are rich and they're messy and they're demanding. And we clean them up with technology. Texting, email, posting, all of these things let us present the self as we want to be. We get to edit, and that means we get to delete, and that means we get to retouch, the face, the voice, the flesh, the body -- not too little, not too much, just right.
This is how they justify not wanting to strive for self-improvement. It's how they explain their continued inaction. It's just an excuse. There are plenty of video clips on the Internet showing what I really look like. Some people even spread rumors about me and retouch my pictures to hurt me. But I don't take them seriously. I'm even flattered! It's what success is like. I'm happy I seem unreal to them, it means I'm doing a good job.
I've had my body manipulated so many different times for so many different reasons, whether it's paparazzi photographers or for film posters. The topless Interview shoot was one of the ones where I said: 'OK, I'm fine doing the topless shot so long as you don't make them any bigger or retouch.' Because it does feel important to say it really doesn't matter what shape you are. I think women's bodies are a battleground, and photography is partly to blame. Our society is so photographic now, it becomes more difficult to see all of those different varieties of shape.
I feel that everyone who wants to say anything, do anything, should be able to say anything or do anything, within the limits of not hurting another person.
I wonder, only in passing, whether the indelible ornamentation that man inscribes upon his own epidermis does not respond to a nostalgia for the universal internally generated coloring of corrollas, furs, shells, carapaces and wings. For man it has been necessary to create both works and tools outside of himself. But it may be that he retains an obscure nostalgia to create them on his own body, to make them a part of it rather than projecting them outwards onto an independent surface, where he is free to retouch them as he sees fit, which is precisely what painting and art are.
You're a very difficult person to manipulate, you know." "Nonsense," he said. "You just have to promise me that I won't have to do a thing, and then I'll do anything you want." "Anything?" "Anything that doesn't require doing anything." "That's nothing, then." "Is it?" "Yes." "Well, that's something.
I will do anything. Anything, Blaire, just to be near you. I can’t think about anything else. I can’t focus on anything. So never think you’re inconveniencing me. You need me, I’m there.
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