A Quote by Peter Lorre

My family encouraged me to paint, but I was never allowed to go to the theater. Naturally, this made me interested in the theater. — © Peter Lorre
My family encouraged me to paint, but I was never allowed to go to the theater. Naturally, this made me interested in the theater.
My parents brought us up in a very clever way, which was that they saw what we were interested in naturally, and then they encouraged whatever that may be. When I started sharing a keen interest in drama and the theater, instead of steering me away from it, they encouraged me to see plays and think about drama school.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
My mother's whole family had been from the theater, really. Because I grew up in Hollywood, I wasn't that interested in Hollywood. But the New York theater was completely exotic and fabulous to me.
Becoming interested in poetics got me interested in theater. Theater is supposed to be poetry, you know, before it's anything else. It just doesn't fly if it isn't musical.
'CSI's been a great blessing for me. It's been a platform that's allowed me to go around the country and the world, really, and speak on issues of disability, but I've never - I'm a professional actor, so I studied for years; I do theater. I never want to disrespect what got me here.
In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
In terms of theater, I would love to go back to do theater. If I could find something for me to do that fits in with the 'Psych' off-season, I'm game. I would like to do theater where I get to act and dance.
It was a weird moment in my life and a weird experience [doing a theater]. It made me think, "Gee, I don't know if I ever want to do this again." And I love theater. I love going. I love the experience of theater. But I am not sure it's for me.
The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
Growing up in Canada, none of my family were performers or anything like that, but I was terrible at hockey, so they needed something for me to do on Saturdays for me to get out of the house. I signed up for theater school on Saturdays, and I'd go for four-and-a-half hours every Saturday morning and learn about theater.
I want the type of career where I can come back to theater. Theater is my home. Theater, to me, is like ballet for dancers. It's my foundation.
That's part of what made me interested in theater as a kid. It made it acceptable to be a man for an hour onstage.
They want families to come to New York and go to the theater, so the theater is all geared toward family entertainment. It's money, you know.
Trust me, there's not one night a week I'm not in a theater somewhere. I adore theater, and I go out with friends, so I do have some nights off.
Theater for me is about enduring human truth. Special effects can be part of that, but when they obscure what is the reason we come to theater - to see reflections of our confounded humanity - the theater has lost its way.
I was doing community theater, and I was always interested in acting, but I was also interested in sports. I was interested in a lot of things. I was a pretty normal guy. I wasn't like a guy who grew up in a dark theater watching movies.
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