A Quote by Peter Lorre

Sydney and I made so many pictures together we were becoming Abbott and Costello, so we broke up. You know Greenstreet was a comedian before he played 'The Maltese Falcon' and in that picture his dialogue consisted of seven pages in a row which he memorized weeks ahead.
The funny thing is, I was not a fan of horror when I was a kid. I was scared to watch scary movies. And then along came 'Abbott and Costello Meet Frankenstein,' and 'Abbott and Costello Meet the Mummy.' And I like those films because they made scary funny, and it was kind of ironic that I ended up doing the 'Hotel' movies.
Here's the point - and Jonah Goldberg reminds us of this. He wrote a blog post that was titled "The MacGuffinization of American Politics." Do you know what a MacGuffin is? "'In a movie or book, 'The MacGuffin' is the thing the hero wants,' Ace writes." So in the Maltese Falcon, for example, the hero wants the Maltese Falcon, but there's always somebody trying to stop the hero from getting what he wants.
Abbott and Costello were huge for me as a very young person.
Now a 'funnyman' can get a laugh before opening his mouth - looking funny. Lou Costello was one of your great funnymen. Harry Langdon, Larry Semon; they were all funnymen - they looked funny. W.C. Fields was never a comedian. Slim Summerville was a comedian, yet looked funny. Now if you have both attributes, you are in good shape.
At 5 years old, I saw 'Abbott and Costello Meet Frankenstein,' and I was so scared when Costello sat himself down in the lap of the monster, not realizing where he was. My friends teased me. They were older, 8 years old. And my goal was to become a mad scientist and get back at them. And here I am, mad as hell!
It gets boring at home. How many reruns of Abbott and Costello movies can a guy watch on TV?
I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
It gets so boring at home. After all, how many reruns of Abbott and Costello movies can a guy watch on television?
As a kid, I saw a lot of scary movies, but they were mixed with comedy, like 'Abbott and Costello Meet Frankenstein.'
I definitely have an affection for detective fiction, and when I first read Dashiell Hammett's 'The Maltese Falcon,' that book and its author made an enormous impression on me as a reader and a writer, and led me to other hard-boiled American writers like Raymond Chandler and Ross McDonald, among many.
I remember watching 'Abbott and Costello vs Frankenstein' continuously as a kid and being amazed that my horror legends were making a comedy.
I couldn't be fonder of you if you were my own son. But, well, if you lose a son, its possible to get another. There's only one Maltese Falcon.
I have played in rain before. I have played in wind before. I have played in cold before, but not all put together. They were the hardest conditions I ever played in.
Lars is played by Ryan Gosling, the Prince of Tics, whose idea of acting is to wait a few beats before reacting to other people's remarks, as if acting were merely a matter of adhering to the seven-second delay rule. Jack Nicholson has made a career out of doing this sort of thing, as did Paul Newman, as did Marlon Brando (who the other two learned it from), but they didn't do it all the time and they were more fun to look at... Lars And The Real Girl joins a number of other recent films in the category of motion pictures where the director doesn't know that his protagonist is unsympathetic.
I've taken two weeks off before I've played a major, and I've played two straight weeks before a major as well. I definitely feel it's important, whether I've taken time off or played right before, that I take necessary rest time in the weeks before the tournament.
He saw a picture in his mind of a terrible piling up of the dead. It came from his contemplation of the church, but it had its own clarity: the row on row, the deep rotting earth hollowed out to hold them, while the efforts of the living, with all their works and wars and great buildings, were no more than the beat of a wing against the weight of time.
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