A Quote by Peter Lorre

Despite the fact Hollywood classes me as a 'type,' I find the roles broad enough to handle all the acting technique I can summon together. — © Peter Lorre
Despite the fact Hollywood classes me as a 'type,' I find the roles broad enough to handle all the acting technique I can summon together.
I have no problem doing the same type of roles. But those who understand acting technique, and watched me in 'Mardaani 2,' might have observed the nuances, variations I can bring into a character.
I never thought of myself doing period. When you're in your acting classes, and you think about the kind of roles you want to play, it's always 'modern relationship drama'-type things.
There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.
Everybody was trying to put me in action movies and heroic roles, and I wanted to find more complex things. They just didn't suit my taste, so I thought, 'OK, I have to be brave enough to say no.' And for a while, that hurt me immeasurably in the Hollywood world.
I'm beginning to see that just knowing the piece is not enough. Having a clear technique is not enough. Having a broad repertory is not enough. I want desperately to get past all those things.
I always had acting work when I needed it. I think that is why, when I watch films or TV series in America, I find in small roles or in supporting roles really amazing faces, where I have the feeling these people have actually had a life outside of acting. I find it almost a pity that I've never done anything else.
I think that when I was child, acting was mostly just a hobby for me. It was something that my parents encouraged me to think of the way that my brothers thought of their cross-country classes, or my little sister to dance classes and art classes, and it was something like that for me.
The first film that really knocked me out was Alien by Ridley Scott. This is a great movie because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director.
Despite the fact that he no longer dressed like the big dork he did then, despite the fact that he’d swapped the nerd wear for some much cooler clothes, despite the fact that he’d let his hair go all shaggy and loose to the point where it curved down into his face in that cool guy, slightly windswept, effortless way, despite the fact that every time I looked into his brilliant blue eyes I was totally reminded of the Zac Efron poster that used to hang on my old bedroom wall, it still didn’t make it okay for him to laugh at me the way he did.
I find that you can use an acting technique when the thing isn't working, not that you make the technique the end result of your work. You use the technique when you're in trouble and things aren't flowing the way they should. It's a way of fooling yourself to make it work again.
I was fortunate enough to model, but it was always work for me. It was a way to support myself and finance acting classes.
Being a Filipino actor in Hollywood, the most frustrating part of landing roles in Hollywood is definitely the limited roles available and the lack of diversity.
I have acting technique; I have singing technique; I don't have a writing technique to fall back on.
I explored the arts in general; I took painting classes and sketching classes and acting classes and all sorts of different things.
I was in acting classes from the age of 9, dance classes, music classes - my mom put a lot of energy and attention into me, so no matter what happened in my life, I always had this basis of discipline. So I really worked hard for everything I had from a very early age.
If you investigate the matter deeply enough and widely enough, you will find that happiness eludes nearly all men despite the fact that they are forever seeking it. The fortunate and successful few are those who have stopped seeking with the ego alone and allow the search to be directed inwardly by the higher self. They alone can find a happiness unblemished by defects or deficiencies, a Supreme Good which is not a further source of pain and sorrow but an endless source of satisfaction and peace.
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