A Quote by Peter Malam Brothers
You don't think much of the individual, because you don't think you've hit him and you hope that he will bail out or something; it's the aeroplane you've hit . . . normally it was more of a game if you like, you were outwitting and shooting down another aircraft, you were simply hitting metal.
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This whole game of hit and flops will always be there and I have survived because I am hit. I think industry works on hit and flop.
During the air war of 1944, a four-man combat crew on a B-17 bomber took a vow to never abandon one another no matter how desperate the situation. The aircraft was hit by flak during a mission and went into a terminal dive, and the pilot ordered everyone to bail out. The top turret gunner obeyed the order, but the ball turret gunner discovered that a piece of flak had jammed his turret and he could not get out. The other three men in his pact could have bailed out with the parachutes, but they stayed with him until the plan hit the ground and exploded. They all died.
When I was 11 I had to umpire a game. I got hit in the head and got knocked out. The ball was hit straight back, hit the bail and knocked my head.
Do not get into a fight if you can possibly avoid it. If you get in, see it through. Don't hit if it is honorably possible to avoid hitting, but never hit soft. Don't hit at all if you can help it; don't hit a man if you can possibly avoid it; but if you do hit him, put him to sleep.
I could be shooting myself in the foot, but in some ways, I feel I've said all I've needed to say when to comes to, say, the 'X-Men.' I think I've hit the bright points, I think I've hit what I wanted to hit, and I can be happy moving on doing other things.
When you hit a player in the head, you're more apt to get some fisticuffs or, you know, bring both teams out on the field, but it was more accepted that - in the '50s, '60s and '70s. I think nowadays it's a little over-policed because I will always believe that knocking a hitter down, even hitting a hitter at, sometimes, is part of baseball.
I don't think songs have to be like these super-#1-smash-hit-sounding songs, because I think it's more important that it's like, 'Hey! This is coming out of me. This is something I connect with. This is something that I like to sing.'
I don't think you can ever really prepare yourself for something to hit like Bridgerton' did, because there's not many things that hit like that.
How do you tackle Rob Gronkowski? You gotta hit him low, man - hit him in his knees. That's the best chance you have of hitting him.
In the head of the moment after losing a game, I lost the control of my emotions and hit the ball with an intention of hitting out of the court. Unfortunately and absolutely unintentionally I hit Mr. Arnaud Gabas, the chair umpire.
I was hitting him with what I thought was my full strength, I hit him in the head about four times and every time I hit him, I was like, 'I'm sorry, I'm sorry, I'm sorry'. And he's like, 'It's fine, it didn't even hurt'. Yeah, that was kind of an ego deflater!
I don't really set personal goals for home runs or anything like that. However many I hit, I hit. If I'm making consistent contact and hitting the ball hard, then I will hit home runs.
He’d actually hit me! It didn’t matter that hitting me wasn’t really like hitting a regular girl and I’d be completely healed in a matter of hours. I was still a freaking girl, and he damned well knew it. I’d just have to hit him back. With a lead pipe. Or an eighteen-wheeler.
Sometimes you go to home plate, and you have an idea, like a clear idea, of what they're going to throw to you. I think that's all: getting better pitches to hit, realizing when you hit the ball better, what pitch you hit, if you're chasing too much. If you figure out all that, you can get a little better as a player.
When you're talking to a person about something they want to talk about then it takes that frown to a smile and then it makes the interview pleasant because hitting them where they want to be hit or hitting them where they normally don't have an opportunity to express.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
