A Quote by Peter Marino
When you design someone's house, it's actually painful. I never say, "This house will be a total reflection of you and any defects in it will make you look defective." But people do expect their homes to be reflections of themselves. So what I say is, "Just pretend this is your eighth home. By then you won't care."
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If you're looking for like, a pure base for your behavior on stage, maybe it's better to say, "Yeah, you're not obliged to pretend. But, you're also obliged to not pretend." So you have access to both sides, if you will. It's never a pure binary thing, but you can pretend. If you have total agency as a performer, then both are at your disposal.
Why be afraid of what people will say? Those who care about you will say, Good luck! and those who care only about themselves will never say anything worth listening to anyway.
If I say look unless you change your leaders I will not give you any aid, you are likely to have people who say: "To the hell with you, we will struggle on the way but we will do it". Therefore what I am saying is - and I do not whether it is coming through clearly - there has to be a lot of care exercised by the people who are in the position to give or withhold assistance: if they start throwing their weight around, using extreme language, seeming to order other nations to do their bidding, then there will not be a good result, it will not be done.
I used to rent a house in Princeton, New Jersey, and whenever people came to visit me, I would drive them past Albert Einstein's house, which is the most ordinary house in Princeton - a house, let me assure you, that now a salesman wouldn't live in. I'd always say, "That was Albert Einstein's house." And they'd say, "What do you mean? Why would Albert Einstein live in a little house like that?" And I'd always say to people, "Because he didn't care!"
I won't think about what people will say, even when I am actually seeing someone. Somebody will say something, then someone else will contradict it. I can't keep chasing all of them and try and correct everyone.
Mind not only what people say, but how they say it; and if you have any sagacity, you may discover more truth by your eyes than by your ears. People can say what they will, but they cannot look just as they will; and their looks frequently (reveal) what their words are calculated to conceal.
When you reach the little house, the place your journey started, you will recognize it, although it will seem much smaller than you remember. Walk up the path, and through the garden gate you never saw before but once. And then go home. Or make a home. And rest.
It's incredibly important that if you have the dream of having your own house, you don't pretend to be something you're not. Ultimately, it's unsustainable and people will see through. You have to work; you can't expect your dreams to be handed to you on a plate.
Listen. Look. Desire is a house. Desire needs closed space. Desire runs out of doors or windows, or slats or pinpricks, it can’t fit under the sky, too large. Close the doors. Close the windows. As soon as you laugh from nerves or make a joke or say something just to say something or get all involved with the bushes, then you blow open a window in your house of desire and it can’t heat up as well. Cold draft comes in.
Throughout much of history, women writers have capitulated to male standards, and have paid too much heed to what Virginia Woolf calls "the angel in the house." She is that little ghost who sits on one's shoulder while one writes and whispers, "Be nice, don't say anything that will embarrass the family, don't say anything your man will disapprove of ..." [ellipsis in original] The "angel in the house" castrates one's creativity because it deprives one of essential honesty, and many women writers have yet to win the freedom to be honest with themselves.
All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Erol and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.
I always say, 'What if you had to sell the house tomorrow?' And if it's too idiosyncratic, someone won't buy it and then it's a bad house.
I have someone else clean my house so that it will actually get cleaned, and I let kids in my house survive on Peeps and 'SpongeBob.'
If you expect to be successful and you expect to raise a family while having a career then you will strive for that; if you strive for it then hopefully you will achieve it. So I think for my own daughter, she's going to grow up with a working mom. One that has had to make some painful choices and face some painful realities.
When people say, 'Hey, wanna come to our house for dinner?' I say, 'Yeah, what should I bring?' They say, 'How about the dessert?' I just don't skimp on the dessert. I make it the yummy way it should be made, and then I just don't eat the whole pan.
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