A Quote by Peter Marino

Motorcycle garb is the way I looked to Warhol. Then came the Armani suits. — © Peter Marino
Motorcycle garb is the way I looked to Warhol. Then came the Armani suits.
So Colleen Atwood introduced me to Armani for the fabric and the dyes - what made Armani, Armani, beyond his motion-picture credentials. It was Cerruti after that. And then Zegna.
So, did I work with Warhol? I worked with him less on that play then I did on other things. He actually did a portrait of my rabbit and some other stuff. Warhol was definitely... Warhol.
Good suits don't come from anywhere, though - I mainly wear Armani, Louis Vuitton and Burberry.
I get really frustrated when people say that a collection is not very 'Armani.' Iconic status can be like a pair of handcuffs, especially if, like me, you wish to continually stretch yourself creatively, as Warhol did.
For a while they wore suits or pants suits, and pants suits are kind of a women's appropriation of male costume, work costume. For me, it wasn't Western feminism or the Western workspace. It was my growing up in a house with a bunch of boys, so that male costuming just became my mode of appropriation way before, you know, Betty Friedan came along.
I usually go to secondhand stores and find what I can. I like finding interesting things: vests, blazers. I tell the band, 'We got to look good when we're up there.' I learned it from Miles Davis. I read about his suits in his biography. Suits mean you're getting paid, and I like the idea that he looked good in his suits.
'Restoring' is a very arrogant concept. If you're taking a house from 1812, do you restore it to how it looked the day after it was built, or restore it to the way it looked in 1828, or the way it looked in 1872? Do the minimum to stop it from falling apart, and then get away.
Armani was a natural fit. And who doesn't like to be invited to Milan and be greeted by Mr. Armani himself? He's one of the hardest working persons I know - very inspiring.
It's incredible to be working with Mr Armani and his team at Emporio Armani. I feel an affinity to the brand ethos and have been a long time admirer of their designs.
When I finished high school, I wanted to take all my graduation money and buy myself a motorcycle. But my mom said no. See, she had a brother who died in a horrible motorcycle accident when he was 18. And I could just have his motorcycle.
A simple garb is the proper costume of the vulgar; it is cut for them, and exactly suits their measure, but it is an ornament for those who have filled up their lives with great deeds. I liken them to beauty in dishabille, but more bewitching on that account.
Chanel makes an incredible red lip, and Tarte makes the best nude colors! I also love Giorgio Armani lipsticks - the Rouge d'Armani.
I don't care about the Guggenheim. The Guggenheim isn't involved in anything that I am interested in. I don't care about motorcycles and Armani suits.
I was on acid and I looked at the trees and I realized that they all came to points, and the little branches came to points, and the houses came to point. I thought, 'Oh! Everything has a point, and if it doesn't, then there's a point to it.'
I was on acid and I looked at the trees and I realized that they all came to points, and the little branches came to points, and the houses came to point. I thought, "Oh! Everything has a point, and if it doesn't, then there's a point to it".
For an everyday look, I use Chanel Soleil Tan de Chanel as blush, or the Summer 2013 Bronzing Palette that a makeup artist from Armani gave to me - I love Armani makeup.
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