A Quote by Peter Marino

I always look for inspiration, and the creativity of artists is an essential element to my life, my work, and my happiness. — © Peter Marino
I always look for inspiration, and the creativity of artists is an essential element to my life, my work, and my happiness.
Mastering the art of asking questions is essential to creativity and innovation. A More Beautiful Question should be standard reading for all aspiring design thinkers as well an inspiration to those searching for a life of curiosity and meaning.
The essential element in nurturing our creativity lies in nurturing ourselves.
Family life is the source of the greatest human happiness. This happiness is the simplest and least costly kind, and it cannot be purchased with money. But it can be increased if we do two things: if we recognize and uphold the essential values of family life and if we get and keep control of the process of social change so as to make it give us what is needed to make family life perform its essential functions.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
Creativity is not the property of artists alone. It's a basic element of the human character, no matter what culture you're in, no matter where you are on Earth or in history.
The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
Artists have no choice but to express their lives. They have only, and that not always, a choice of process. This process does not change the essential content of their work in art, which can only be their life.
For artists, scientists, inventors, schoolchildren, and the rest of us, intrinsic motivation-the drive to do something because it is interesting, challenging, and absorbing-is essential for high levels of creativity.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
There is no one who has ever created music with the combination of intelligence, intuition, depth, creativity, and humor that Jerry Garcia has. His work and life will continue to be a limitless source of inspiration for all of us.
If happiness is a state of the inward life, we have to look for its chief obstructions not in outward conditions but in deeper places. Happiness depends in the last issue, as we saw, on the essential view of life. It is not a matter of distractions, nor even of mere pleasurable sensations. There may be an appearance of great prosperity with incurable sadness hidden at the heart, as there is an outward peace which is only a well-masked despair. The way to happiness is indeed harder than the way to success; for its chief enemies entrench themselves within the soul.
Mystery is the essential element of every work of art.
In 'The Future and Its Enemies,' I argue that individual creativity and enterprise are not only personally satisfying but socially good, producing progress and happiness. For celebrating creativity and happiness, I have been called a fascist by critics on both coasts.
Inspiration is not the exclusive privilege of poets or artists. There is, there has been, there will always be a certain group of people whom inspiration visits. It's made up of all those who've consciously chosen their calling and do their job with love and imagination. Difficulties and setbacks never quell their curiosity. A swarm of new questions emerges from every problem that they solve. Whatever inspiration is, it's born from a continuous 'I don't know.'
There are some millennial artists that I totally get and understand, and I know what they're talking about. People who I've worked with and who I'd like to work with. But there's a whole element of artists that I can't explain what they're talking about.
If any one element of French cooking can be called important, basic and essential, that element is soup.
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