A Quote by Peter Matthiessen

There's an elegiac quality in watching [American wilderness] go, because it's our own myth, the American frontier, that's deteriorating before our eyes. I feel a deep sorrow that my kids will never get to see what I've seen, and their kids will see nothing; there's a deep sadness whenever I look at nature now.
And when I speak, I don't speak as a Democrat or a Republican, nor an American. I speak as a victim of America's so-called democracy. You and I have never seen democracy - all we've seen is hypocrisy. When we open our eyes today and look around America, we see America not through the eyes of someone who has enjoyed the fruits of Americanism. We see America through the eyes of someone who has been the victim of Americanism. We don't see any American dream. We've experienced only the American nightmare.
My hope for all of us is that 'the miles we go before we sleep' will be filled with all the feelings that come from deep caring--delight , sadness, joy, wisdom--and that in all the endings of our life, we will be able to see the new beginnings.
There is a deep and undeniable sadness in all this: whenever we see the dawn of an eternal good that will never be overcome by evil – an evil that is itself eternal but will never succeed in overcoming good – whenever we see this dawn, the blood of old people and children is always shed.
I don't do stuff to be a star. I do it because I feel it's important for kids, African American kids, to see an African American face that plays baseball.
I would like teachers to look deep because sometimes kids do have a faade that they put up because they feel vulnerable. Their creative truth may not be ready for their friends to see.
I want to be the best role model I can be for my family. I want my husband and I to be the ones our kids look to for guidance, to be the great role models that I had with my parents growing up, so for as hard as we work, I want our kids to see us having fun. I want our kids to know that we have to feel our bodies. And nutrition is a huge part of that.
The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.
I hear all the time from our audience about how it's nice to see a positive African-American role model for the younger kids out there that are watching.
Because when I go places and I talk to kids and I talk to parents and I talk to athletes all over, and they look at my story and they see a person, African-American or not, they see something that they can relate to.
But we are such deceivers that we will not look at ourselves in relationship, because there the real face can be seen. So we close our eyes to relationship, and we go on thinking that something is going to be seen inside. You cannot see anything inside.
No, I’m not an American. I’m one of the 22 million black people who are the victims of Americanism. One of the … victims of democracy, nothing but disguised hypocrisy. So, I’m not standing here speaking to you as an American, or a patriot, or a flag-saluter, or a flag-waver - no, not I. I’m speaking as a victim of this American system. And I see America through the eyes of the victim. I don’t see any American dream; I see an American nightmare.
Now I've devoted my life to making sure that I can be a trailblazer for any other African American kids or any other gay kids or any other kids that just feel weird or uncomfortable and have their own issues and don't know how to express themselves. I want to be like a beacon for those kids now.
You would think that American educators would want our kids, especially our kids from poorer families, to hear what top-rated Oxford students hear. But you'd be wrong. American schools now hide their students from ideas like mine if they don't approve of the man or the message.
I see the President almost every day. I see very plainly Abraham Lincoln's dark brown face with its deep-cut lines, the eyes always to me with a deep latent sadness in the expression. None of the artists or pictures has caught the deep, though subtle and indirect expression of this man's face. There is something else there. One of the great portrait painters of two or three centuries ago is needed.
The reason I'm an American is for all the people in this country and recognizing that if business is thriving and growing, it will create more jobs, raise wages of our people, allow us to care for our seniors, get a better education for our kids, and allow us to have the kind of military that can defend American interests around the world.
I feel like kids in general, not just African-American kids, are influenced by what they see, both positive and negative.
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