A Quote by Peter Max

I met Jimi Hendrix and Janis Joplin when I hung out with Michael Lang just before the Woodstock Festival. They were as charismatic in person as they were on stage. — © Peter Max
I met Jimi Hendrix and Janis Joplin when I hung out with Michael Lang just before the Woodstock Festival. They were as charismatic in person as they were on stage.
When I moved to L. A. with this little wimpy garage band, the first people we met were the Doors. Then we met Jimi Hendrix, Janis Joplin. All of the people who died of excess were our big brothers and sisters. So I said to myself: How do you become a legend and enjoy it? The answer is to create a character as legendary as those guys and leave that character on the stage.
I know about Woodstock probably as much as your average person who is over 30, where I'd know Jimi Hendrix, Janis Joplin, Grateful Dead.
I say I'm Jimi Hendrix, Jim Morrison, Janis Joplin all wrapped up into one. If I die early ... I'll be just like those guys.
I love the Beatles, and when I was very young, I had young parents, so Led Zeppelin and Janis Joplin and Jimi Hendrix and the Beatles constantly were big influences on my life.
He was Jimi Hendrix! He didn't sound like anybody else but himself. He was like Charlie Parker in his way of playing, he played well, he was a person that made waves. When you heard Jimi Hendrix you knew it was Jimi Hendrix, he introduced himself in his instrument... You know, many radio stations play records and a lot of the times they don't call out the names who you just listened to, but when they play Jimi Hendrix, you don't have to tell me, [you know] it's Jimi Hendrix.
She’s the kind of person who either dies tragically at twenty-seven, like Jimi Hendrix and Janis Joplin, or else grows up to win, like, the first-ever Nobel Prize for Awesome.
You're never going to see the fat Elvis in me. People I admired like Janis Joplin, Jimi Hendrix and John Belushi all died at 27. I've got jeans older than that.
I started out playing guitar because Jimi Hendrix was my hero, so my roots were really based on Jimi Hendrix and his style of playing.
The quality of our lives is diminished every time we lose a great artist. It's a different world without Sam Cooke, Otis Redding, Jimi Hendrix, Janis Joplin, Jim Morrison, Curtis Mayfield, Brian Jones and the rest.
In 1974, when I started working with the material that became Horses, a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
In 1974, when I started working with the material that became 'Horses,' a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
I went from being a jock to a hippie. It was a very clear-cut decision. I had to be one or the other. I had to forsake that other aspect of myself. Or thought that I had to, which is regrettable. Quickly, I was back in the pine trees with the hippies, listening to my Jimi Hendrix and my Janis Joplin and turning on, tuning in, and dropping out.
Sometimes artists die young, and we don't know exactly why. I think that, in life, you have these special individuals, whether it's Jimi Hendrix or Janis Joplin or Kurt Cobain. They're on this journey - they're on this earth to change things, to make things incredible - and then they're not with us anymore.
History has a way of coming back to you. In the case of Janis Joplin appearing at the festival in 1968, her performance affected the life of a Bostonian who is now a member of the Newport Festivals Foundation Board of Directors. Ward Mooney was so affected and emotionally involved in Janis’ performance at Newport, that when he heard the festival was going nonprofit, he knew wanted to become a part. Janis was beautiful, gracious and respectful, and the power of her Newport performance continues to live on.
I remember the first time somebody played me Janis Joplin. My friend Donna put on Janis Joplin, and she said, 'You're like her.' At the time, I wasn't even a singer; I was a drummer. I just wanted to play the drums.
I watched Janis one time - we opened for her - and that's the only time I ever saw her. We opened for Jimi Hendrix. I got to stand on the side of the stage and watch him for two hours and then he died. But I got the essence before they left.
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