A Quote by Peter Maxwell Davies

I don't see how they can with most of my pieces, but I think it's unfortunate that they can through familiarity with flashy performances of a great deal of other music.
With a piece of classical music by Haydn, Mozart, or Beethoven, on first listening I'm referencing it with other pieces by them that I know. I think that most people do this - they listen to pieces through the filter of pieces they already know.
When I did "Seven Easy Pieces," I actually re-performed the performances of other artists. It was such difficult work because I had to really go through the documentation, look through the sources, to ask the witnesses who saw it.
In principle, I think the idea of rewarding a good effort is interesting, but movies are generally different from each other as are performances and the conditions on how the performances are given and how they're edited and so forth.
I've always learned how to deal with my problems through my words, through my education, and through my intelligence, which I think is important and the best way to deal with an issue.
What we're doing now, is to try to eradicate the limited notion of how people are interacting with each other through hyper-racialized ideas. A lot of it deal with, as an example, genre. If I ask you to visualize a trap musician or a hip-hop musician, you'll see one thing. If I say visualize a western classical musician, you'll see a very different thing. A lot of how music is disseminated to us is hyper-racialized. It's not something that we think about all the time, but if you take a minute to look back, it's why you get this argument when there's a white rapper.
I think Berklee College of Music had the highest dropout rate of any college - or pretend college - in the United States. Because I think most people think they're going to be in Green Day or whatever, and you actually have to learn about music you don't care for, too. I mean, I cared for a great deal of music; it's just that I didn't want to submerge myself into the well of fusion jazz.
Humans are kind of story-propagating creatures. If you think of how we spend our days, think of all the time you spend on entertainment. How much of your entertainment centers around stories? Most pieces of music tell stories. Even hanging out with your friends, you talk, you tell stories to each other. They're all stories. We live in stories.
Right from the 17th century, composers who have taken up music as their means of livelihood went through a hard time financially. They were paid only for commissioned works and public performances. And, when their music became famous, orchestras in other cities and countries would pay a small amount to copy the music.
Yeah, I consider myself an unpredictable player. A player that's flashy here and there and then is maybe conservative here and there and I think when it comes to dressing, it's me figuring out that balance of when to be flashy or when to be super simple with maybe flashy shoes.
When you deal with somebody in the heat of battle, you see the best or the worst of them. So when you get through all that there is a great deal of respect.
I hope our fans will be able to make great memories with us through the music and performances we show on stage.
I feel I have to play a role in the transformation of my thoughts. Music is the most powerful way for me to do that, through my own music, through listening to other people's music.
Yes, I get a report from BMI about the frequency of performances, and it is very surprising. They played one of my most advanced pieces, and one of my most unusual ones on the radio.
I'm still working! I think of all the other comics that didn't get the light shined on them, just because it's just how fame works, and it's unfortunate. But there are so many great comics out there who are still working, and I still see them.
Classical music, fortunately or not, unfolds in time. It's not like a picture you can stare at for 10 seconds or 10 hours. You need the minimum amount of education and training, and society needs to find a way to study music - not only the performances, but how to compose, how to understand why Mozart was great at what he did.
I don't work with Sia every day; it depends what we do, whether we do performances or music videos, so the schedule is weird, but when we're off, we always try to see each other in between. We just hang out; we went to brunch one time, but for the most part I go to her house, and we eat and watch TV.
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