A Quote by Peter Mayhew

When you consider that you're a character that doesn't speak, but you've still got to react to the other actors, you've got to make a noise of some kind. — © Peter Mayhew
When you consider that you're a character that doesn't speak, but you've still got to react to the other actors, you've got to make a noise of some kind.
Being movie director you've got the art department, you've got the actors, you've got the camera department, you've got make-up and hair, and props. You've got your finger in all these pies, and you're making sure that everything cooks at the right temperature.
I got a imam, I got a rabbi, I got a priest, I got a reverend - I got 'em all. But I don't want to be holier-than-thou. I want to help everybody and still get some (sex).
You may be good, but what are you good for? You've got to be good for something. You've got to be about some project, some task that requires you to be humble and obedient to the universal principles of service. You've got to live a life of complete and total integrity in order to give this kind of service. This integrity enables you to love other people unconditionally, to be courageous and kind at the same time, because you have integratedness inside your own soul.
I believe we've got to be able to make some noise to create change.
We've got to be fair. You can't say a place that has strip joints is sacred ground. We've got to be just. We've got to speak the truth. We've got to have justice for everybody. We're a country of justice for all, not justice for non-Muslims only or some groups and not for others.
I come from the '90s where there was rap-rock and I was never a huge fan of it. I loved Rage, I loved some of the other stuff that was going on, but it got really oversaturated and it got kind of cheesy at some point - we can all say that.
You can say to actors that you've got to be the character and really get into it, but you have to make it realistic by bringing an element of yourself into it.
If you make a movie in the UK you've got to embrace the weather with open arms... We got some of the most amazing weather as well. It's maybe why some of these places, like the Lake District, don't get filmed in so much. If you were trying to make it look like some kind of chocolate box image of England you'd be there all year waiting for the sun to come out.
So if the wall's cracked or you've got leaky faucets, or you've got mold issues, or some sort of damage to your home, selling a home that's got that kind of distress to it is the biggest mistake you will make, because immediately people who are fearful will walk away.
Now there are a few things with a shelter - like with noise control, don't face dog runs facing each other that tends to encourage barking. The problem you've got is that the kind of materials that absorb noise are difficult to clean. One of the biggest problems in the design of animal shelters is that animals are barking and it's like the sound of a jet plane taking off.
"Vell," said Mr. Weller, "Now I s'pose he'll want to call some witnesses to speak to his character, or p'raps to prove a alleybi. I've been a turnin' the bis'ness over in my mind, and he may make his-self easy, Sammy. I've got some friends as'll do either for him, but my adwice 'ud be this here-never mind the character, and stick to the alleybi. Nothing like a alleybi, Sammy, nothing."
Most actors work on a scene, I try to find out who the character is. So when a scene or a moment comes, I react the way she would react.
I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
When you're a co-host, you've got to consider what the other person is saying and take the next step and get the laugh or get to the end of the story. You've got to make it happen and then move on to the next story.
You've got to rattle your cage door. You've got to let them know that you're in there, and that you want out. Make noise. Cause trouble. You may not win right away, but you'll sure have a lot more fun.
People aren't making as many movies as they used to, so youve got a lot of really big-name actors who are coming in, and they want to do pilots, so things kind of disappear for those of us who kind of have to still get in the room and audition and read for it.
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