A Quote by Peter McWilliams
To visualize is to see what is not there, what is not real - a dream. To visualize is, in fact, to make visual lies. Visual lies, however, have a way of coming true.
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Inexperienced personal development teachers always tell you to visualize, but often in a tragically limited way. They tell you to visualize nothing but victory. But high-achievers know that it's even more important to visualize themselves at the point where they want to quit, and then see themselves working through the struggle.
The more you have in your toolbox, if you can visualize or have a moment to provide you a visual, as an actor, that's paramount.
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
I would visualize things coming to me. It would just make me feel better. Visualization works if you work hard. That's the thing. You can't just visualize and go eat a sandwich.
It is true that I visualize music and, as I visualize music, I have some sort of story running in my head, all the time.
I've been a visual artist my entire life, so translating music to imagery has always come naturally to me. Tycho is an audio-visual project in a lot of ways, so I don't see a real separation between the visual and musical aspects; they are both just components of a larger vision.
There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.
If you can visualize it, if you can dream it, there's some way to do it.
I can't do fiction unless I visualize what's going on. When I began to write science fiction, one of the things I found lacking in it was visual specificity. It seemed there was a lot of lazy imagining, a lot of shorthand.
I see lies everywhere - switch on the television, it's lies. Everything is lies. In the art world or science community, we are intellectuals, people who research, who are interested in learning and thinking. I think the level of lies is way lower than when you step into what I call "the outside world".
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
Beyond the pervasive disinterest in the visual arts among the Protestant community, the core problem lies in the fact that the art world rejects on several grounds work that is in any way explicitly Christian in content and also shrugs off as naive anything that has the semblance of hope or optimism in outlook.
...visual truth lies in the structure of light.
Lies can be verbal or nonverbal, kindhearted or self-serving, devious or bald-faced; they can be lies of omission or lies of commission; they can be lies that undermine national security or lies that make a child feel better. And each type might involve a unique neural pathway.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
Each time you present a tour, you're faced with these questions of, 'How do you want to present visual information? How do you want to take the music that we're making on stage and visualize that?'
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