A Quote by Peter Medawar
Deductivism in mathematical literature and inductivism in scientific papers are simply the postures we choose to be seen in when the curtain goes up and the public sees us. The theatrical illusion is shattered if we ask what goes on behind the scenes. In real life discovery and justification are almost always different processes.
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Actors are journeymen. We show up for work. We do the job and then we go. What goes on behind the scenes is what goes on behind the scenes.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
Everything that goes into making a film, when it's the finished product, us as the actors look at the film and go: "Oh man, OK, on that day we were doing whatever the circumstances were on that day...." So much goes into it and it's all so incredibly calculated that the behind-the-scenes chemistry that exists between all of us is sometimes forgotten - you can't act that. We've all come together and held hands through each of the processes that I've been a part of.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.
I don't really take into account what the media says. People have their own opinions about what goes on, but they don't see what goes on behind the scenes with an athlete and their preparation.
We think we know people. We think that what we see is all there is. We rarely ask ourselves what goes on behind the curtain. We jump to conclusions. And we take everything very personally.
When you ask why did some particular question occur to a scientist or philosopher for the first time, or why did this particular approach seem natural, then your questions concern the context of discovery. When you ask whether the argument the philosopher puts forth to answer that question is sound, or whether the evidence justifies the scientific theory proposed, then you've entered the context of justification. Considerations of history, sociology, anthropology, and psychology are relevant to the context of discovery, but not to justification.
The movie was always something that was always kind of like a dream. From the start of making my YouTube videos, I've always been sharing my thoughts or opinions or just updating people on my life, but the movie is more of a behind-the-scenes look at what actually goes into my life.
Like I always say, it's a team effort. A lot of behind the scenes work goes in when we're at home.
A European who goes to New York and Chicago sees the future... when he goes to Asia he sees the past.
The philosopher of science is not much interested in the thought processes which lead to scientific discoveries; he looks for a logical analysis of the completed theory, including the establishing its validity. That is, he is not interested in the context of discovery, but in the context of justification.
Stories hold power because they convey the illusion that life has purpose and direction. Where God is absent from the lives of all but the most blessed, the writer, of all people, replaces that ordering principle. Stories make sense when so much around us is senseless, and perhaps what makes them most comforting is that, while life goes on and pain goes on, stories do us the favor of ending.
Mork, played by Robin Williams, was my introduction to improv, and my first real peek behind the curtain of television production; I had seen Williams riffing on 'The Tonight Show' and soon put it together that certain scenes with Mork were not scripted.
Oh, I believe that there is no away; that no love, no life, goes ever from us; it goes as He went, that it may come again, deeper and closer and surer, and be with us always, even to the end of the world.
The majority don't like me before the curtain goes up, and I always have to win them.
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