A Quote by Peter Menzel
The fact that a thirteen-year-old project still resonates and can still have a large exhibit with lots of newspaper, magazine and TV press shows the timelessness of the project.
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I'm narrating the television series Biography. I'm still involved in my music - I have a new album out. I have an animated project in development. I'm writing a lot of things and you never know if one of them is going to become a six or seven year project.
I have the attention span of a 2-year-old. I like to jump from project-to-project.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
For me, everything is still possible and I am as determined as ever. I believe first that the project of a people does not die. It is the project of freedom for a people, it is a project of sovereignty. And since the nation exists, it has the right to its own state. I will work to advance it in that direction.
Christians are like a thirteen year old kid who still believes in Santa.
I'm not one of those actors who needs the media spotlight all the time to feel gratified. I'm happy to do one project a year and take the rest of the year off as long as that project is special.
The fact that I'm still able to wrestle on the indies and yet still do my stuff in NXT, and the fact that I wrestled in front of 15,000 people at the Barclays Center at TakeOver, and then, the following weekend, I was still doing indie shows, is wild.
When the government undertakes or approves a major project such as a dam or highway project, it must make sure the project's impacts, environmental and otherwise, are considered. In many cases, NEPA gives the public its only opportunity to be heard about the project's impact on their community.
I tend to overuse the word "project" only because "book" is terrifying while I'm still in the middle of something. A project can fail. I don't want a book to fail.
On TV at night, I DVR lots of programs - I use it more like a magazine rack flipping through shows than actually watching them in full. 'Charlie Rose,' 'Meet the Press,' '60 Minutes' are musts for me. I also DVR 'NBC's Nightly News' and 'The Chris Matthews Show' on Sunday.
I've kind of gone from TV series to TV series or project to project, and I've wanted to get back in a rehearsal room. I feel like there's that exploration process, in a way, that you get in phases on jobs but I do wish I had that time [at school].
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
To the public, the press is not David among Goliaths; it has become one of the Goliaths, Big Media, a combination of powerful television networks, large magazine groups and newspaper chains that are near-monopolies.
Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.
I've been really lucky that I've kind of gotten to flow from project to project, because I find it's very important that when you're on a project, you are so invested in it.
The main reason for choosing a project is not really the renown of the director that's making the project. I feel like it's the fact of an actor to constantly want to do different things.
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