A Quote by Peter Menzel

It is so much better to get the right exposure than to have to mess around later with Photoshop. — © Peter Menzel
It is so much better to get the right exposure than to have to mess around later with Photoshop.
I don't mess around with the men in the coven, especially my Shadowblades," she said with quiet finality. Flirting was one thing but anything more, it was a mistake of epic proportions. His eyes narrowed and he gave a slow shake of his head. "That is all right then. Because I want so much more than just to mess around.
Your life is right now! It's not later! It's not in that time of retirement. It's not when the lover gets here. It's not when you've moved into the new house. It's not when you get the better job. Your life is right now. It will always be right now. You might as well decide to start enjoying your life right now, because it's not ever going to get better than right now-until it gets better right now!
Comedians take a neat situation and turn it into a mess. And in my books I do the same thing, but it's the other way around. I like to mess around with mess. A mess is only a mess because someone tells you it is.
The amount of exposure you get in India as a musician in Bollywood is so much better than what one gets independently.
My internship with Oberoi hotels and later working with the ITC group in Jaipur helped me get a better exposure; I got to meet expatriates and get acquainted with people from different parts of the country.
I don't really mess with Instagram much, but I get why people love it. Because to me, it's better to tell a story through a picture than 140 characters.
Now ballads, I can mess around and get up on somebody on a ballad. People ain't seen it yet, but I can mess around and get up in there. I've had Ruben Studdard up in my house, Brian McKnight, Tank. Every once in a while I throw down with them.
You better not mess with chimps. They are much stronger than humans.
From the get-go, I was wise enough to say, 'Well, I'm playing rhythm 'cause Angus could really soar with the leads.' I used to mess around a little bit with lead at the time but not much; Angus, he was just so much better; he just went for it, and it was brilliant. My place was sitting with rhythm, and I love rhythm. I've always loved it.
Frequently I get asked if I'd rather have spent my career in a big city like New York or Los Angeles, where the exposure would be greater than in Seattle. My answer is no, not at all. Exposure is not important to me.
But I work harder now because I have so much more exposure. And actually the harder you work as a writer, the better you get at it. It's like anything else. It's a muscle you have to exercise. I write more now than ever.
There's no better satisfaction than watching the people around you, who have worked day and night to get something right, realising the dream.
Sometimes we work so fast that we don't really understand what's going on in front of the camera. We just kind of sense that, 'Oh my God, it's significant!' and photograph impulsively while trying to get the exposure right. Exposure occupies my mind while intuition frames the images.
The great thing about journalism is that there is so much exposure to all kinds of people who can turn up later as characters, whether you intend it or not.
If you mess around, and you don't take every game as seriously as possible, there's going to be a time you get to the Finals and say look, 'We're not sharp right now.' At that point, there's nothing you can do.
It's unfortunately true that if you mess up a single detail of the art world the whole thing seems false, and most writers are not in a position to get the details right, because they don't hang around with artists. It's not something you can get the vague gist of. It's too specific.
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