A Quote by Peter Molyneux

Well, I'm always a bit harsh about the things I'm doing. — © Peter Molyneux
Well, I'm always a bit harsh about the things I'm doing.
I have a diverse audience, which is great, because I like doing things that are a bit more obscure, and I love doing things that are very popular as well. Each has its own bit of joy. So I try to mix it up.
It's always been a subtext of our secular optimism that you solve the economic problem, and all other things sort of take care of themselves. Well, we seem to be doing well on the economic side - we are doing very well - and the other things are not solving - they're compounding.
This may sound a little harsh, but I don't care about my career. Really, I don't like actors who are always planning what they're going to do next or always worrying about doing something that will go against the image they've created. To me, that's almost like an attack of narcissism.
When my mother died, it sort of put a damper on things. My career didn't have the same significance or excitement. It had always been about doing well for my family - my brothers, sisters, father, mother. Then something interesting and important happened - I started doing things for me.
I don't want to be like the angry old guy in the corner who is always ranting and raving about the same things - but I don't mind doing that just a little bit!
I became more courageous by doing the very things I needed to be courageous for-first, a little, and badly. Then, bit by bit, more and better. Being avidly-sometimes annoy-ingly-curious and persistent about discovering how others were doing what I wanted to do.
I've always declined to speak about things I don't think are anybody's business, and what I always get from the interviewers is, 'Well, you know, we have to ask those things.' I say, 'Well, maybe you do, but I don't have to answer them.'
I always find the idea of Britishness a bit of a boring old concept, to be honest. That world of Britishness always comes off a bit twee and only about cream teas and that sort of things.
It is splendid to be supportive when you see those around you doing well, but blind praise is easier than harsh facts.
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
There's a bit more of a safe distance when you're making a narrative movie, a bit more perspective. Audiences can separate themselves from the harsh reality of the facts a little bit more and think: 'Okay, how do I consider this?'
I think that we as a people are always prone to think about, well, tomorrow will be a better day. Well, why will it be a better day? And I think the more that we believe in doing things better, doing the right thing rather than hoping that that's going to happen, let's make it happen.
My last couple of films, 'ABCD 2' and 'Rock On 2,' didn't do as well as expected. It affected me quite a bit, but then easier said than done, I had to stop thinking about it and continue doing what I love doing best!
I think stolen bases are always a byproduct of doing other things well. Getting on base - you've got to get on base a lot, obviously. And you've got to be in the right position and your teammates have got to help you out a little bit sometimes.
I'm doing things in Manchester with the Trafford Sports Park in partnership with the Manchester United foundation and I'm also doing things in Newcastle as well. It's something I'm passionate about.
I think a lot of things that people think are complimentary are a little bit condescending, but then we just have to keep doing what we're doing, and being in the band is the important bit.
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