A Quote by Peter Molyneux

When you're external to a publisher, most independent developers live on paranoia. The mainstay of every day is paranoia - every indie company believes their publisher in some way has these Machiavellian plans that will cause disaster for the game and the studio.
The step between prudence and paranoia is short and steep. Prudence wears a seat belt. Paranoia avoids cars. Prudence washes with soap. Paranoia avoids human contact. Prudence saves for old age. Paranoia hoards even trash. Prudence prepares and plans, paranoia panics. Prudence calculates the risk and takes the plunge. Paranoia never enters the water.
And every historic effort to forge a democratic project has been undermined by two fundamental realities: poverty and paranoia. The persistence of poverty generates levels of despair that deepen social conflict the escalation of paranoia produces levels of distrust that reinforce cultural division. Rae is the most explosive issue in American life precisely because it forces us to confront the tragic facts of poverty and paranoia despair, and distrust. In short, a candid examination of race matters takes us to the core of the crisis of American democracy (p. 107).
When I'm outside the studio, there's some paranoia.
I think paranoia can be instructive in the right doses. Paranoia is a skill.
Launching Collins in the U.S. fulfills the original vision of the 1989 union of Harper & Row and William Collins. Publishing has clarified the many benefits of working as a global company. I believe that a true 21st century publisher is a global publisher. Harper Collins is well on its way.
Imagine a thousand more such daily intrusions in your life, every hour and minute of every day, and you can grasp the source of this paranoia, this anger that could consume me at any moment if I lost control.
If there is something comforting - religious, if you want - about paranoia, there is still also anti-paranoia, where nothing is connected to anything, a condition not many of us can bear for long.
As soon as I finished 'The Finkler Question,' I was in despair. I'd changed my English publisher because they'd been lukewarm about it and not offered enough money. The American publisher didn't like it. The Canadian publisher didn't like it... I'd been bleeding readers since my first novel, and I could see my own career going down.
Paranoia imposes its own vision on the external world; it differs from other kinds of visionary experience in that the paranoid wants others to share his view—even insists on it. Paranoia is very like poetic creativity. This accounts for my fascination with certain people in whom this state of mind was evident: ‘characters’ met by chance, whose words and gestures would haunt me for years until, finally, in a poem I was able to dispel them.
The Internet will make every enterprise a publisher.
No publisher should ever express an opinion on the value of what he publishes. That is a matter entirely for the literary critic to decide. I can quite understand how any ordinary critic would be strongly prejudiced against a work that was accompanied by a premature and unnecessary panegyric from the publisher. A publisher is simply a useful middle-man. It is not for him to anticipate the verdict of criticism.
A successful self-publisher must fill three roles: Author, Publisher, and Entrepreneur—or APE.
I didn't expect any success at all. I was rejected by every publisher in the world and every agent in town.
I moved my studio to Palm Springs 'cause I don't like the idea of going to a studio every day like a job... I need to make a personal record, so I need to be in a house... I don't want to be in a studio where people can hear the music 'cause I don't know what it is yet.
I go to the studio every day, but I don't paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
If you want to publish two books a year under your own name and your publisher doesn't, maybe you need a different publisher.
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