A Quote by Peter Molyneux

For me, going back to 'Fable' is a terrible experience. I look at it and at best I would call it fractured. — © Peter Molyneux
For me, going back to 'Fable' is a terrible experience. I look at it and at best I would call it fractured.
The Fable story hinted at a dramatic time before 'Fable 1' when the Guild was founded, this would be a perfect setting for 'Fable 4.'
Fantasy is the tendency of Americans, going back to colonial times, to look at the Middle East as a type of fractured mirror of the United States - a type of mirror that could look a lot more like the United States, if, say, a Middle Eastern George Washington would emerge.
I didn't do drugs. It wasn't my thing. But the drink was terrible. Today when I look back, it's like I was another person. You could call it a coping mechanism, but that would be an excuse. I just drank too much.
If I was to see any of my films now I would feel, oh god you know it's awful I could do that so much better now. Look at all the terrible things I did and all the mistakes and all the compromises and all the blunders I made, and it would be such a terrible experience for me to see them. So it's better that I put it out and move on to the next thing and make it history as quickly as possible.
We've got plans for 'Fable' III, IV, and V. It's a big story arc, and if you play Fable II, you'll recognize things from 'Fable I.'
The attorney general called and asked me if I was willing to be interviewed for FBI director. And the truth is I told him I didn't think so, that I thought it was too much for my family. But that I would sleep on it and call him back in the morning. And so I went to bed that night convinced I was going to call him back and say no.
Would we prefer to be lifting it? Of course we would. You can't look back, we have to look forward and say what are we going to do get it back next year.
What keeps me going are my learnings, which I would rather call my 'experience,' and my urge to explore.
'Fat' was a terrible, terrible word for me growing up. When I was able to reclaim it and call myself fat and identify with it, that was the best moment ever. That was the moment I really started to feel free.
For me, "Zoo" has always been a fable. It has nothing to do with realism. It's a fable about what man is doing to the world, and the animals have retribution. But in the real world, this would not happen. But in the world of 1984, this kind of thing can happen in a story.
If you do a musical, it's really thrilling and it's a lot of work, but it's very rewarding. I would say, for me, what I like best is what I do, which is, I call it vaudeville, I call it live, I call it in concert, I call it what Bette Midler does, and what Garland did for years, and Ethel Merman.
So, when directors come up to me and ask if they should just narrate my role, I would say no and insist on knowing the whole story. It would give me a better idea of what I'm going to be a part of because when I look back at my career later on in life, nobody is going to remember my screen time.
What I'm suggesting is we are going to look back, and we're going to see what happened in Syria, and we're going to see the larger destabilization of the Middle East, the rise of extremism, and we're going to wonder... Why didn't we at least try to force a political solution - at an acceptable cost to us, because no one is saying we should send in ground troops - and if we did it would be worse than doing nothing... If we do not act, we are going to look back and wonder why we didn't.
It was an amazing thing to see how Bowerstone, the capital of 'Fable,' progressed. It went from, in 'Fable 1,' to just 20 houses and then in 'Fable 3' it felt like a city that had districts. You could see that sense of progression in it.
My husband is actually the nicest guy in the world. He's my sweetheart and best friend, and one of the things I love best about him is that no matter how terrible I look - and believe me, it can get bad - he makes me feel pretty.
Look at me, he said to her. His arms and legs jerked. Look at me. You got your wish. I have learned how to love. And it’s a terrible thing. I’m broken. My heart is broken. Help me. The old woman turned and hobbled away. Come back, thought Edward. Fix me
This site uses cookies to ensure you get the best experience. More info...
Got it!